October 16, 2012

Make Way for the Future Today

The future is now, and I am happy about it! Marvel's witty and cynical Iron Man is headed to Disneyland's Tomorrowland, a place in which he fits perfectly.

Let's face it: as it now stands, Tomorrowland is a mixed bag of themes and eras. Iron Man and Stark Expo could be the perfect unifying factor.  With a little bit of ingenuity and imagination, the exteriors of existing attractions could be "retro-fitted" into an area where "a look backwards at a look forward" provides the answer to bringing it all together. Sort of an EPCOT Center-ish Future World of the previous century. The buildings from the 60s could finally be resurfaced with a look that complements the feel and theme without revealing its shortcomings and reduced budget that plagued Tomorrowland '98.

Some Disney purists are in an uproar over this... but I think Walt himself would be happy that something cohesive is coming to the world of the future. Count me in.

October 12, 2012

Refresher Course: Space Mountain 101


Space Mountain. Long before The Twilight Zone Tower of Terror or Carsland and its Radiator Springs Racers, this single attraction was the motivating reason to visit  Disney theme park.

The Space Mountain name alone evokes excitement for theme park fans all over the world. Whether it is the classic, iconic structure found in Florida, California, and Tokyo; a similar takeoff placed in a Tomorrowland that almost feels kid drawn in Hong Kong; or the stunning, elegant Jules Verne styled masterpiece in Paris, the sheer sight of the mountain makes visitors run toward it once the rope drops. For this generation, blasting off through the universe has become a right of passage into the teenage years, but for the very earliest Disney fans, this wasn't always the case.


A slice of thrill.

Walt Disney had long passed away when Space Mountain debuted at Florida’s Magic Kingdom in 1975. The thrill ride was part of a slew of much needed additions for Tomorrowland. Like most all of the early classic attractions, however, its roots came from Walt himself many years before, and this ultimate thrill adventure was initially planned for his beloved original park in Anaheim.



A bigger slice!



America’s obsession with space travel provided the perfect timing for an attraction such as this. The future fascinated Walt. He loved science, space exploration, and new technologies. In addition to being an under appreciated businessman as well as a dreamer, fortunately, Walt was also a doer, and he assembled a team that could dream and create with him.



As discussions continued with the team, concept art for Walt’s Space Port, as it was originally named began to emerge. Many different looks were considered before settling on the timeless exterior familiar with fans in the States, and Imagineers Herb Ryman and John Hench each came up with designs that would be somewhat merged for the final result. Plans for Disneyland’s new Tomorrowland of the sixties included the attraction, but other priorities took precedence, leaving Florida to open the attraction a couple of years before it finally hit California soil.



Once the design was settled upon, a detailed model was built, giving the Imagineers a chance to view how the attraction would fit into the Magic Kingdom.



Upon its opening, Space Mountain became an instant fan favorite and theme park classic. "The blessing of size” as Walt said with regards to his Florida project, enabled the Imagineers to create a dual tracked Space Mountain for the younger Magic Kingdom park. With its thrills, the experience was a strong bid for the youth market who found much of the Magic Kingdom park too tame and lame with its emphasis on slow moving attractions and cabaret shows like Tropical Serenade (Enchanted Tiki Room), Country Bear Jamboree, and The Mickey Mouse Revue. The trend setting Mountain transformed into a park staple, with pale imitations created all over the world in an attempt to capitalize on its success. Even if you are not a Disney fan, chances are you know the name, probably recognize its timeless form, and are well aware of the adventure within. Another Walt inspired masterpiece.

The more recent refurbishing meant a change in the music and a nifty new attraction poster, but the ride itself remains fairly rough compared to when it first debuted. Long time fans know park maintenance is not a strong suit at the Florida parks. The New Fantasyland could be bringing some changes to that as the Imagineers prepare for a fresh invasion of visitors eager to see the most exciting addition to the Magic Kingdom in twenty years. 



Back at Disneyland, the success of the attraction meant one had to be built in Anaheim. That park’s smaller footprint demanded a similar but much smaller mountain back in California, bringing with this change a single track, different loading zone, and a much tighter flight course.

Prior to the opening of California Adventure, it was possible to enter the parking lot area by Space Mountain with your car, and since I lived nearby, I took advantage of the opportunity to drive by very often. When the attraction finally opened in 1977, I was among the first in line to take flight. And what a line it was! At one point, the queue snaked down Main Street and the hours passed as flights were on then off during its test period. The experience was quite the rush at opening with the atmosphere much darker, the rockets faster, and the journey unfamiliar. 



One of the earliest renderings of the attraction- for Disneyland.

In the late 90's as part of the New Tomorrowland, a newly bronzed Space Mountain came alongside the most recent addition, Rocket Rods, as well as a couple of cloned attractions from Florida. The revised land was not a success, and the mountain soon returned to its glistening white version.


Recent holiday themed experiences mean this mountain changes to Ghost Galaxy every Halloween, given those in charge a reason to keep things in top working order. Debates continue as to which mountain in which State provides the better experience but both are beloved and appreciated for their differences.



With much cash to burn and carte blanche access to the plans from Imagineering, the Japanese investors had the ability to hand pick from two differently designed Disney kingdoms, giving their guests a very interesting version of the first overseas park Tokyo Disneyland. Surprisingly, even with access to the larger Florida version, the Japanese chose the California’s much smaller attraction as the one to be duplicated. When the park opened in 1983, visitors found this space journey to have an entirely different feel, a blending of both American parks and few unique elements at opening. 

But the best was yet to come when a Disneyland was planned for the world's most beautiful city, Paris.



To experience Space Mountain, European fans had to trek to the Sunshine or Golden States for a Disney vacation experience or head to Japan. Once Disneyland Paris added their own space adventure, guests were shocked and delighted. Debuting in 1995, the iconic white mountain was replaced by a gorgeously themed and wonderfully executed Jules Verne inspired adventure... that began outdoors!

Originally planned as Discovery Mountain, the attraction inside was as different from its cousins as was its exterior: the open air loading station sends its rockets into a smoke-spewing cannon as guests are launched upwards into the mountain. The views over Discoveryland are amazing, but they are nothing compared to the thrills found inside!

The track layout included multiple inversions- the first for a Disney park anywhere- and the inclusion of a majestic musical score to accompany the journey. This new twist on an old favorite brought in the crowds. Some could even debate it saved the resort. It certainly did bring in the crowds.




Although the exterior building concepts remained largely the same, the Imagineers presented several different ideas for what was to be built inside the mountain. In addition to Space Mountain, ideas ranged from a Nautilus adventure including a restaurant inside the submarine, to a unique use of the technology that makes The Twilight Zone Tower of Terror so popular for an additional attraction themed to a different Jules Verne novel.

(For more information and concept art, track down the wonderful book Disneyland Paris, From Sketch to Reality by Alain Littaye and Didier Ghez.)




Upon our first visit to Disneyland Paris in 1998, Space Mountain: De la Terre à la Lune, and Phantom Manor were at the top of my must-do list. I must say, I did not expect every corner of the park to be as beautiful as it was.

Once I finally entered the queue and hopped aboard the vehicle, the ride was as wonderful and thrilling as I had imagined it would be! I couldn’t wait to ride it again and promptly returned to the queue for another trip. In its own unique way, viewing the mountain and watching the Columbiad cannon send explorers on their journey was as compelling as seeing the beautiful Eiffel Tower. I couldn’t take my eyes off the attraction. 


Beautiful during the day and absolutely spectacular at night with its magnificent lighting, this Space Mountain was the ultimate execution of the trendsetting concept. Period. Until a "reintroduction".


When we visited the park once more in 2007, we were shocked to find that the original theme had given way for "Mission 2". It was a poor design and marketing choice, as much of the stunning set pieces and effects had disappeared as well as the original majestic theme music. Perhaps it will return one day.



The opening of the first Disneyland in China, Hong Kong Disneyland (2005), provided an opportunity for building yet another version of the Magic Kingdom classic. Due to budget adjustments and misguided opinions of what should constititute the park, it remains short on attractions, even though Grizzly Gulch and the upcoming Mystic Manor will bring a more complete experience. The famous Space Mountain, however, was a must for opening day. The setting of the Chinese Tomorrowland is more akin to a Saturday morning cartoon than previous versions, but the mountain itself is a near duplicate of California's. In a new take on the mountain's use and design, it also houses an attraction based on the main character from Lilo and Stitch.


Where will the next other worldy mountain show up? Some folks are still sure it will be in Shanghai Disneyland, but only the Disney executives truly know- and all bets say the centerpiece Tomorrowland attraction will be based on Tron: Legacy. For all the questions we may have, one thing is certain. Space Mountain in all its incarnations, will continue to thrill and fascinate millions of guests looking for a chance to explore the universe and then return safely home!

(All concept art and Tokyo Disneyland photos copyright The Walt Disney Company; all other photos by Mark Taft)

October 10, 2012

A Brand New Beast of a Place

One picture worth at least several hundred words. From the New Fantasyland / Fantasyland Forest at the front of the Be Our Guest restaurant. Source unknown.

October 9, 2012

A Stylized California Adventure

Gotta hand it to the folks over at the Disney Parks Blog! They seem to always come up with new and interesting ways to promote their parks be it at home in the USA or overseas. This stylized map of Disney California Adventure is pretty cool. It's a nice variation on the fun map we've seen a few times since the Imagineers starting re-Imaging the park. Perhaps the much rumored makeover of the Disney's Hollywood Studios in Florida will inspire new maps or even the New Fantasyland in the Magic Kingdom.

(Art copyright the Walt Disney Company.)

October 8, 2012

A Miracle- Really!

No photo needed for this. Last night at church, someone asked for prayer for their eyesight. Well, we decided to gather around him and follow the Biblical guidelines by the laying on of hands. We prayed earnestly and asked God is He would intervene. Well, He did! Today I received an email detailing that his sight was significantly better than it was before we prayed. Does God heal all the time? No. But He does still do works of healing- even in our age of disbelief.

October 5, 2012

Epcot at 30: How to Bring Epcot Back

A couple of years ago, long before the raging success of the newly imagined Disney California Adventure 2.0, I wrote on The Walt Disney Company's struggles at the Disneyland Resort. My emphasis: what had to be done to bring the second park there to worthiness in carrying the Disney name. It's now in vogue to bash Walt Disney World and its upkeep, lack of cutting edge plans and additional investment of cash in order to compete with Universal Orlando and Harry Potter's Forbidden Journey... and everything to come. Truth is, the criticism of the Florida sprawl is entirely justified. Especially at Epcot.


What can Disney Imagineering do to revitalize Epcot? Plenty, as we shall see. All it takes is a dose of cash, vision, and some imagination!


 #1- Develop a Vision for the Park or Go Back to the Old One

Dear Accounting Budgeteers: If you're going to keep throwing character additions and move tie ins to the park, just do it, and get it over with instead of pretending. Stop keeping us fans hoping for more. But there's a better plan, a doable plan that will increase your revenues. Focus on what Epcot has always does best, that is educate guests in a charming and awe-inspiring way. 

There's certainly enough companies out there that could offer a perspective to pull this off while also feeding cash into the company's accounts. Let's start with an easy and most discussed company, Apple.  Want to revitalize the Imagination pavilion? Here's your perfect fit.  Even folks that are not fans of the products must admit Apple pours on the pizazz. What stories could be told? What new characters could be imagined? Want to bring back the Image Works in a big way and please your sponsors? No brainer. The tie-ins are endless. Can't go there? If you want to continue in the kid friendly zone, tap into Crayola or Fisher-Price. 


Beyond Imagination, perhaps the U.S. Government could use a boost in its reputation by sponsorship. Work with them on Energy. Let them show off how they spend their billions in tax revenue on building a green future for America. Perhaps a medicine and science exhibition that features attractions where we could be inspired to think about the future of health and wellness. 


The point is, inspire us to think and to dream again. The Imagineers could do this if given a fair chance. You know I'm right, don't you? It's ok to admit you have an ego problem...


 #2- Make It Beautiful Again


 The park used to be stunning to look at, and I'm not just talking about World Showcase.  Once upon a time, Future World was also lovely to see. Water flowed in different areas, giving this part of the park a pleasant feeling. Lush landscaping existed beyond that found in the Land's signature greenhouses. There seems to to be an ongoing case of "lowest maintenance is the best landscaping". Very sad. The future should feel welcoming, but the revealed masses of late 70s and early 80s architecture makes the place feel tired. Plus, it needs a good resurfacing and some paint. This includes the monorail tracks. Disney's aborted Project Genesis had many good elements to it. It's time to revamp the area. Hide the stroller parking, throw in some cafe tables on the exterior sides of Innoventions, make it a people pleasing space. And get rid of the tombstones at the entrance to the park.

World Showcase is not without its troubles in this department. I'm happy to see new restaurants and small shops, (not so happy about Disney Vacation Club buildings), but they come at a price. And its usually the green spaces and gardens or open vistas that disappear. Mexico feels less exotic now. Just one example.



 #3- Honor the Culture
Treat the sponsor countries of World Showcase with some dignity. There's lots to eat and buy, but the attractions are lacking both in upkeep, number, and in the representation of their citizens and culture. 

I'll harp on this now and each time it comes up: Mexico is not best represented by three Disney cartoon characters. Bring back El Rio del Tiempo. If you really want the Three Caballeros, use them in a smaller, secondary attraction, a theater show for the kids. The room is there for more build out. Treat your guest countries, whether they are still official sponsors or not, with respect. Perhaps you will win some of them back. Would you put a cartoon Paul Bunyan in the American Adventure? No, it is not a suggestion. This goes for non-cartoon characters as well. Please say goodbye to Martin Short in Canada as well.


#4 - Time for Something New


Not to be dramatic, but what has it been, twenty years since Morocco and Norway debuted? Twenty years?!? Open land exists all throughout the entire section of the park. Part of the reason the Food and Wine Festival is successful is due to the fact folks like to experience the foreign and the unique. For some, it's even better than having to actually travel there. Infrastructure is already in place for attractions in Germany, Japan and others. Use it. Go ahead, give us hotel rooms above the attractions if you can't help yourself, but give us something new. This is one area where the possibilities are truly almost endless.


Adding new countries and attractions will also give you an excuse for more retail. Let's be honest. People like to shop in World Showcase as well as eat there.  It's a win-win situation as long as you don't stuff it with character merchandise found elsewhere in the park. 


Time for new entertainment as well. As much as I adore Illuminations, it's had its run. Bring back the buskers and performers that were all over World Showcase. Add musicians to Future World. Why do you think the area has to be without them? The future is not without live musicians. There's more that can be done beyond the standard meet and greets. Epcot, of all the Disney parks, should be the most unique in the entertainment department. 





#5 - Dazzle, Don't Pacify, Don't Pander

It's pretty evident that Disney parks are facing some very successful competition by the little wizard that could down the road. As beautiful as the Magic Kingdom's new Fantasyland will be on the outside, the attractions themselves are pretty uninspired on the inside. (The Little Mermaid is more than a "C" ticket as some would claim, however.) The point is, stretch yourselves when you develop a plan for Walt's most ambitious project turned into a theme park. Just the concept of Epcot deserves more than something designed to enhance capacity. If the brilliant Disney Imagineers cannot build on the theme and deliver an experience that wows, the park will continue to be a shadow of what it was.

These suggestions should be just the beginning for a park as splendidly conceived and originally executed as Epcot.  Your guests deserve more, and it is time to deliver.


(Photos copyright Mark Taft.)

October 4, 2012

Epcot at 30: Why Epcot Can Never Return to Its Glory Days


I am going to contradict myself. Today, I'll tell you why Epcot can never return to its glory days. Tomorrow, I'll tell you how it can. 

Walt Disney's vision for EPCOT, and the Company's vision for EPCOT Center after Walt died, were based on an optimism that no longer exists.  There was a bright hope for the future that solidly  permeated America, and especially those that were the public faces of the company Walt built. 

It's almost as if Walt demanded that kind of optimism from his team. In fact, I would say this is why his Imagineers were successful- he always told them they could do it, even if they themselves had no belief it was possible. And often they did. They tried the impossible, making the company a present day think tank that was wise enough to gain additional knowledge by partnering with the experts of the day. Be it the government, the businesses or the people, the company had enough clout to be taken seriously.

Walt was beloved by the American public, so when he passed away, the country and the world went into mourning. In some ways, we have never recovered from it. We've exchanged hope for gloom, hard work for handouts, and passion for getting by. Our politicians play on our need for something different, but they rarely encourage us to go after it ourselves. Even many men and women of faith- especially those who serve the God that raised His Son from the dead for our benefit- have given into despair and given up. Why wouldn't our country follow suit?


We've changed. Our age of innocence and hopefulness in the future has disappeared. This is reflected in the business world, where research and development have given way to cheap profits earned at a very high cost. Our jobs now go overseas at alarming rates. As a nation, we have devalued people for so long- and yes, starting with those still in the womb. We've forgotten the value of life from conception and that changes just about everything going forward. When people are not first and are reduced to handouts to pacify them, it's every man for himself and every business only exists for cold hard cash. Mankind as a whole suffers, selfishness wins. 

A business is no better than the people who make up its leadership and those who are employed by it. Should we be surprised the Epcot of old can never return?
 

On the level of theme park, visitors now want thrills. This means the suits- including the shareholders- desperate to keep their own personal bank accounts full, press the designers to add thrill after thrill, diluting the power of the theme unless it is excellently done. The story behind most thrills seem to be comprised by setting the stage for fright and terror, not optimism.

The age of "edutainment" in the theme park world may also be over. It seemed people want to be taken out of this world of worries and not be encouraged to think, even if it is in an interesting and even fun way. 

Where does that leave the second Florida park? In a state of constant flux as the leaders hedge back and forth for a direction. Perhaps Epcot cannot return to its glory days- but maybe it can. Come back tomorrow as we wrap up this series with a hope-filled ending.

(Art copyright The Walt Disney Company. Photos copyright Mark Taft.)

October 3, 2012

Epcot at 30: Just Imagine

Half way through our look back and forward at Epcot at 30 years, let's take a short break and look at what could have been. All is takes is some imagination and money.

You could almost subtitle this post as "Dream EPCOT Center" because there is so much that could have been done to refresh the park instead of trying to re-energize it by adding thrills at the cost of theme integrity. But we armchair Imagineers don't really have to live in the real world and balance the financial risks with the practicalities of life. Still, let me dream a bit...

A quick look at Future World shows the company understood there needed to be some alteration to keep the audience interested. In contrast to the choices made, it should have been possible to add to the pavilions instead of just replace old favorites. Add the thrills for a younger crowd mix, but respect the origins. Epcot could have become a three day park! And it is a park in which my guess is it holds the highest revenue earnings in shopping and in the restaurants. Win-win.

Like many of the older original Audio-Animatronic attractions, the signature Spaceship Earth would have seen benefit from a few well placed A-100 figures new to the ride. The dazzling effect of perhaps a new A-100 Da Vinci painting the Mona Lisa would have made guests do a double take. Especially those who made the journey a must do every visit. Throw in just a couple more, and the attraction feels frsh and first class once more. The truth is, without any constant changes to this attraction, it runs the risk of becoming the Adventure Thru Inner Space of Epcot, ie the make out spot.

In my dream EPCOT Center, Horizons would still be around but also freshly updated. There was no need to tear it down to build Mission: Space. Why couldn't the updated older attraction dump guests into a waiting area with real live options like space travel (door one to a separate entrance to Mission:Space), desert excursions (door two to something like a Test Track), a third door to another destination, and the last to exit the pavilion. Of course, Test Track and Mission:Space could also have been accessible from their own entries as well. It would just tie everything together while allowing Horizons to really take you somewhere. 

There's no excuse for the other Future World spaces to become "tooned" in order to be relevant, specifically the Land, the Living Seas, and Universe of Energy. These themes should be able to successfully encompass new thoughts and discoveries. Nor was there any need to tear down old attractions instead of adding new ones to the mix. This would please old school purists and also bring in new fans. 

The same could be said for Imagination. To an EPCOT fan, deconstructing it into what it is today by removing Dreamfinder and turning Figment into a small little pest is akin to removing one entire act from Disneyland's Pirates of the Caribbean, removing the Auctioneer, and inserting screens to simulate fire and other effects. It just shouldn't be.

In contrast to what the suits understood about Future World needing change, they seemed to think it was alright to let World Showcase stagnate, resting on the Old World charm. There seems to be one inherent problem with this section of the park besides so little attractions being added: transportation. It could be fairly easily solved with some money and creativity. Why not create a pseudo but functional version of the Metro from Paris? Allow guests to enter stations which lead them to trains to move around the park more easily. Imagine being able to depart from a station hidden toward the back of Germany or Japan and find yourself moments later in the backstreets of China or the United Kingdom pavilions. Guests could be dumped into the shopping districts while the actual tunnels the trains travel through could also offer above or below ground visual delights. It's as if the Walt Disney World Railroad was launched into the future.

And about those never built countries- really? No excuse except for wanting to make a buck by not spending. In my dream EPCOT Center, we'd find the Netherlands, Russia, Egypt, Peru, India, and more. And yes, guests would find hotel rooms above the shops and restaurants a la Westcot. The gondolas of Italy would be put to use. That Rhine River Cruise would be built, and we would be able to Meet the World in Japan. You would find a family friendly version of Moulin Rouge in France, tea ceremonies in China and Japan, and a small Harrod's in the U.K. Add an elegant American restaurant instead of just a fast food location, by the way.

The possibilities are endless, but the stories continue. Next two days: Why Epcot can never be what it once was and why it can. Come back as we conclude our week long look at the most forward looking of Disney theme parks.

(Art copyright The Walt Disney Company.)

October 2, 2012

Epcot at 30: First Time is the Charm

There's an old saying that there's nothing like your first time. It happens to be true when I speak about our first visit to EPCOT Center. In an unexpected twist, it almost instantly became our favorite Disney park. 

Back then, World Showcase opened the same time as Future World, so we entered the park and almost walked right past Spaceship Earth and directly to the Mexico Showcase. Of course, we were not immune to the charms of the future as portrayed by Disney. In fact, I remember clearly just staring at the huge silver sphere. Couldn't take my eyes off it, but I had to get to the World Key Information Stations inside Earth Station to book meal reservations. 

We had to wait a bit, but we made ourselves busy by watching a terrific kaleidoscope of images previewing the wonders we'd soon encounter.  Just the presentation and the surrounding area felt fresh, optimistic, and inspiring. We made our way to the front of the line and to the screen. 

This truly was a touch of the future. In fact, in 1982 touch sensitive computer screens were something of a rarity. The Bell System (at  divestiture the attraction would then be officially sponsored by AT&T, the company I worked for at the time) and its branch Bell Laboratories really were bringing us the future of communication. Moments after a young woman came too the screen to help us with our meals choices, we were on our way. 


Deciding to bypass Future World for the time being, we strolled into Mexico.  It and China next door just seemed to beckon us compared to Canada and the United Kingdom. The lone pyramid and the small cantina gave us no hint to what we about to see.

Until the changeover from El Rio del Tiempo to the Gran Fiesta, the sights, sounds, and feel of Mexico made it our favorite place in all of World Showcase. I won't bore you with the details of El Rio del Tiempo, but I will tell you, we were enchanted by it and wished it had lasted even longer than it did. (If you want to see lots of art and images plus links to video etc, just search on the site for "Cinco de Mayo" or go here for one of many posts.) Having been to Baja California, Mazatlan, and Acapulco, I have aways had a soft spot for the country. The old boat ride gave the pavilion a touch of glamour and mystery that the new version replaces with cheap marketing. It's too bad. We wandered around inside the moonlight, so glad we were returning for lunch.

Naturally, we followed along the promenade and continued on to China. For younger readers, it's important to remember that at the time, few people were given the ability to travel to this country, thereby making a visit to a fairly accurate representation of the landmarks of the country all the more alluring. This was only enhanced by the nationals who were privileged to work there. And there were no Disney themed items to be found in the shops of World Showcase, only authentic goods right from the countries represented. It was as close as an authentic experience a traveler could get without hopping on an airplane. Needless to say, we were again stunned by the beauty of the landscaping and architecture, thrilled by the 360 movie, Wonders of China.

Making our way around, we stopped at Germany and Italy, winding up at the American Adventure. We very impressed by the show, (Disney always makes you proud to be an American) but disappointed there was nothing else to represent our country. The view back to Future World and Spaceship Earth- wow, the park was huge.

We chose to head back toward Mexico for lunch as we had waterside dining reservations at the San Angel Restaurante.  It was dark, cozy, romantic- and we so enjoyed the margarita, queso fundido, and our main course. It was my first taste of Mole Poblano and not my last. We ended our lunch with another cruise on the river, then headed back into Future World.  

By this point in time, the crowds were heavy back in the other end of the park, and it was fairly easy to get to the big ticket attractions of Future World.  First stop, Journey Into Imagination. My father-in-law worked for Kodak at the time and for his entire career, so we had heard great things about what Disney came up with. In a word, magical! Figment and Dreamfinder were delightful and will always be the "hosts" of the park.  (I cannot tell you what a bastardization of the original attraction this new version is. You'd have to experience it to know.)  before I became a collector of sorts of Disney park memorabilia, I purchased a Figment of my own. I have him to this day. Magic Journeys in 3D (a new thing!) was a great second attraction to the pavilion, and the Image Works was just plain fun. We stayed almost two hours- something you could not pay me to do now.

"Just make believe you're a tiny little seed..." The Land is our favorite of the original Future World attractions that are still in the park. Up until the point Horizons debuted a few years later, this is where the future was in Future World. The Listen to the Land boat tour was the perfect way to share the latest in farming technologies to the public. "Edutainment" at its best. The film Symbiosis was preachy at times, but the cruise through the greenhouses made learning fun. Kitchen Cabaret brought it home for the kids. The silly presentation about nutrition, while enjoyable, was not on par with the much better Audio-Animatronic musicals found in the Magic Kingdom. However, it wasn't meant to be a headline attraction either.


Starting with the following morning when we would return for a second full day at EPCOT Center, breakfast at The Good Turn would become a tradition until it became too expensive or too difficult to book. We always enjoyed the warm Florida sun streaming through the greenhouse dome, and intentionally stretched our meal time long enough to rotate into the darker showroom of the boat cruise. It's in the hidden places such as this that Future World has its own unique charms. The future should be warm and hopeful, and it always was in the way Disney chose to present it upon the park's opening.

The Living Seas wouldn't come until later, so we stumbled through Communicore (now Innoventions). We passed through both East and West, and decided to make that area part of the next day. We were among those to vote for The Person of the Century poll. Kind of a fun thing to throw in there. My bet was Disney didn't like the results, and the show- and announcement of the winner- soon disappeared.

A journey on Spaceship Earth was a perfect way to continue our trip. It was very impressive, and I was pleased to see my employer was represented by such a fine attraction. The changes over the years have not taken away from the grandeur. After all, what can compete with a trip through the globe? 

In quick time, we went into the Universe of Energy. It's inherent surprises did the trick they were designed to do, but it was next door's World of Motion that we loved. 

Let me be clear- I love old school Audio-Animatronic adventures like Pirates of the Caribbean and the Haunted Mansion. They rely on story to bring the thrills and surprises. World of Motion easily held its own with these classics. From the train being held up (in a nod to the never built Western River Expedition) to the policeman on motorcycle behind the billboard, the attraction built to a grand finale- a ride through the city of the future. Humorous, informative and repeatable. (Gary Owen's narration was incredible in his signature style.) Motion became a three ride attraction for us, and we did it again several hours later after nightfall.  

Upon exiting and knowing the song "It's Fun to Be Free" by heart, we stepped into the Transcenter for the Bird and Robot / The Water Engine show followed by the automotive displays, a nice nod to the sponsor. 

I'm all for thrill rides-  and I love Twilight Zone Tower of Terror, Expedition Everest, and Big Thunder Mountain Railroad- but there is something about these older lengthy and leisurely attractions like those mentioned above that really take you out of present day reality and into another realm. This is something Disney does better than just about anyone, but this fact about immersion is almost lost on the current batch of Imagineers... and park guests trained to run from ride to ride! Without the balance of all kinds of attractions, the audience is limited. This is why parks like California Adventure 1.0 and Animal Kingdom are not as popular as they could have been. 


Evening meant a return to World Showcase starting with Canada. The signature attraction, "Oh, Canada!" had nothing on its Chinese counterpart. This was not the case when we viewed "Impressions of France".  Superlatives are not enough, so Imagineers and Budgeteers, isn't it time to update the film and give it a technology upgrade as well? It's a masterpiece. So is the pavilion it is built around. A late night stroll through "France" and then around the promenade basking in the glory of a beautiful Florida evening was the perfect way to end our first visit to EPCOT Center


We'd do it again the next day by starting in Future World and then working our way through World Showcase, starting with Canada this time. From here on out, Epcot would always be a two day visit. The changes over the years would not always please us, but this one single theme park is the reason I return to Walt Disney World.   More tomorrow...


(Art copyright The Walt Disney Company. Photographs copyright Mark Taft.)

October 1, 2012

An Interruption in Our Epcot 30th Coverage

Please forgive this cutting in on the Epcot 30th anniversary celebration dance. Just have to mention this article - with photographs - I just read. Many people I know do not seem to believe that Christians are persecuted in this day and age. Well, that's not the case. This recent article describes persecution (execution) of Christians in Egypt and Yemen. I can't close my eyes to this any longer. Warning: explicit photograph...  Go here for the article.

Epcot at 30: Delayed Gratification


October 1, 1982 seemed so far away once the announcement came that the Disney company was finally building a version of Walt's final dream- EPCOT Center. And now, 30 years later, the promise of the future and the excitement that came with it seems so long ago.

Since my wife and I were about to be married in April of that same year (Happy Anniversary again!), a trip to Walt Disney World to see the park would have to wait. However, our honeymoon to the Bahamas did include a couple of nights at the Florida complex. It was with the glowing hearts of newlyweds that we rode the monorail from the Transportation and Ticket Center to the new park. I should say through the new park, as it was still under construction and there was no scheduled stop. 

As we cruised through the darkness closer and closer to the site, my heart began to race as I excitedly shared what the Imagineers had planned for the new park. I couldn't wait to see it! My wife knew what she was getting into when she married me- I was a self confessed Disney park freak from the beginning (and in the years to come, she'd be so gracious with me as we enjoyed each new park as it came, including those in Paris, but not in Asia- yet.)

Spaceship Earth. I couldn't imagine the reality, I was stuck with the dream. Yet, the reality was as good as promised. It glowed under the Florida moon. What an icon! I could see the Universe of Energy and then the World of Motion. I knew I'd come back one day, but it was my first view of World Showcase that did me in. All those landmarks beckoned, but as fast as I saw everything, it all disappeared just as quickly. 

For every visit since, the monorail ride gave me a rush as I spied the countries alongside the World Showcase Lagoon. There have been many visits to the park, but I'll always remember this time when we couldn't get in. I'd hang in suspense for a year, but my day was coming...

(Photograph copyright Mark Taft.)

September 28, 2012

Epcot at 30: Past, Present, Future

On Monday, Epcot celebrates its 30th birthday. Next week, I'll present a series of articles covering the park in its present and past state and why it can never return to its former glory... and why just maybe it can. Come back Monday- and every day all next week!

(Art copyright The Walt Disney Company.)