Showing posts with label pixar. Show all posts
Showing posts with label pixar. Show all posts

May 1, 2023

The Late Great Walt Disney Company 1923 - 2023

Greed, power plays, and a loss of great original content have killed The Walt Disney Company. But what a company it once was! From the creation of Mickey Mouse to Snow White and the Seven Dwarfs to modern classics like Tangled and Frozen, movie goers could count on consistently excellent films. The exceptions were few and far between, and even those such as Alice in Wonderland gained respect in the years following its initial release. 

Even the once wonderful Pixar has lost its way. What are we up to now, Toy Story 13? The acquisitions of Pixar, Lucasfilm, and Marvel may be wise business decisions, but the original imaginative and very compelling content from these companies has been traded in for movies designed to drive streaming subscriptions and merchandise sales - to the detriment of what made these franchises so beloved in the first place. Pixar used to be the modern pinnacle of creativity. Now, it's just another animated film company. Having "Marvel Fatigue" was something I never expected.

The theme parks are as crowded as ever, and the Company is right there to fleece the guests by demanding more money in order to have a full and satisfying park experience. Lightning Lane, Genie+, and its ilk exist to create a caste system of guests. Disney corporate can talk all they want about equity, but when it comes down to it, it's all about the bucks, and they are talking out of both sides of their mouth. 

It was once leaked that Disneyland research revealed guests felt they had a full day, a worth the money experience, if they got on nine or ten attractions. All you have to do is look at the vastly underdeveloped third (Disney's Hollywood Studios) and fourth (Disney's Animal Kingdom) parks at Walt Disney World to see the suits running the show are standing still behind this calculation. 

It's a very sad day when Tokyo Disney Resort- a company run by the Japanese- maintains higher quality show and more stellar attractions than the parks in the U.S.A.  (Today May 1 is the anniversary of the 1989 grand opening of Disney-MGM Studios. The largest post ever written on this blog looks at the park's history. Read it here.) It's an even sadder day when we see the Walt Disney Company kneeling before Mother China, a country known for vast human rights abuses, just to get a piece of the money pot via Shanghai Disneyland.

Disney Imagineering is hamstrung instead of released to create. The bungled Epcot revisioning tells the story clearly. Universal Creative is turning out better attractions more quickly. The coming Epic Universe will again show they can hold their own with the house Walt built... and guests can have a great theme park vacation without all the unnecessary pre-planning and add-ons that are required when visiting Walt Disney World. I'm not even mentioning the great resort hotels of all types for more than a third less than what you'll pay on Disney property.

Wherever you stand on the political spectrum, there are no winners when it comes to Disney getting involved. Robert Iger, Bob Chapek, and others like them think Disney fandom will get stronger when their choices divide their audience?! Foolish thinking at best. In house fighting is just as bad! Quit the showboating and get back to your original business. Give me the first ten Michael Eisner years any day.

So, Rest in Peace, Walt Disney Company. The one Walt Disney built is dead even if the name remains. I'll pick and choose where my dollars go instead of purchasing animated movie tickets for opening day, park memorabilia, and other experiences like the old days. And I'm not the only one.

November 21, 2022

Bob Out, Bob In

Well my phone lit up last night when the news of Bob Chapek being replaced by Robert Iger was announced. Beyond a temporary jump in stock price, what will this bring? From a theme park lover perspective, what we need is a man with the interests and skills and vision of a first decade Michael Eisner. The same hold true for Disney's live action film division. 

I have less hope for Disney animation as they've been churning out good but not great features for years now- both Disney branded and Pixar. Marvel's not much better and Star Wars seems to struggle as well. Creativity is what fuels the company, but that's been lost. 

Elsewhere, Imagineering needs freedom to create and a huge boost in morale. But the old second generation pros are mostly gone, leaving a team that needs much work to excel. Will Walt Disney World begin to be magical again? It better do something with Epic Universe on the way.  Disneyland remains the heart and soul of the parks. Honestly, Shanghai Disneyland was a vanity project that's now biting them where it hurts. Epcot's a mess, and California Adventure is moving backwards.

Next year should prove very interesting.

 

March 20, 2022

Turning Red: Meilin Does It

Meilin from Turning Red absolutely does it. Certainly Aladdin and Abu do it. My favorite Disney character Buzz Lightyear was forced to do it. Every protagonist in most well done films do it. 

Pondering the meaning and purpose of our lives, what lies ahead, and how to navigate it is something each man or woman must consider. Why? It's programmed into us to think beyond the here and now! Check this out:


"He has made everything beautiful in its time. He has also set eternity in the human heart; yet no one can fathom what God has done from beginning to end."  (Ecclesiastes 3:11)


Folks that only live for the moment go from one experience to the next, be it the travel to come, the next paycheck, the upcoming party, or even the next adventure in sex. And mankind as a whole has come to see there's just so much more than what's in front of us. And that, friends, includes eternity.

Age is sneaking up on me, and I find myself considering the future more often than not. This means coming to grips with regrets, giving myself grace, being thankful for my life, staying hopeful, and choosing to bless and not curse the people God brings into my life. I guess it is true that faith, hope and love are the most important things. 

What journey is God leading you on? Where will it lead?

June 19, 2021

Luca- A Straightforward Tale of Friendship

A charming tale of the power of friendship- pure and simple bliss from Disney/Pixar as if it were developed during the days of Toy Story. There's no hidden agenda, and no language or characters that would make the most sensitive of parents question whether a preschooler could watch it. There is nothing in Luca even remotely offensive, so relax and enjoy a film meant to put a smile on your face. 

The growing friendship between main character Luca and Alberto is as innocent as the summer season the film portrays. When they meet new friend Giulia, the trio is complete, and the story becomes all the more richer. In a nice twist, our hero has both parents, and neither are remotely close to being repressive or anything but emotionally healthy.

Contrary to what you may have have heard about it being a tale of LGBTQ sensibilities with a growing male to male romance, you have to be actively reading into the story and the main friendships to go that direction. In fact, in an interview with Luca director Enrico Casarosa by Yahoo! Entertainment, he emphatically states, "... it truly goes without saying that we really willfully went for a prepubescent story … this is all about platonic friendships.” 

The landscapes of the town strongly echo the gorgeous region of Cinque Terra, Italy, and the colors of the village, sky, and water, are a feast for the eyes. The whole movie is delightful- It's a breath of fresh air and makes me hopeful for more films like this from the powerhouse in family entertainment. Movies that exist just to entertain without an agenda. Well done, Pixar! Well done!

April 28, 2021

The Charm of Luca

The new Pixar film Luca looks like a very sweet story of friendship. But I can say with certainty that the animation of the location will be something worth seeing! The inspiration is Italy's Cinque Terra, a stunning and very unique locale that is like nothing else in the world. On it's own, it's worth a trip to Italy, but when combined with the treasures to be seen in Tuscany, it is a must-do travel experience!


(Poster copyright Disney/Pixar.)

March 14, 2021

Raya and the Last Dragon- A Girl Worth Fighting For?

Raya and the Last Dragon succeeds, but it also fails miserably. The animation is stunning- the strongest element of the film- making the most of the landscapes and cultural art styles of locations such as Thailand and Cambodia. The story is unique as it is based on Southeast Asian folklore, and it has one of the cutest sidekicks ever, an animal-meets-Segway named Tuk-Tuk. Parents, between Raya's buddy and all those colorful dragons, get ready to open your wallets for all that cheaply made plush at the Disney Stores.

In a nod to classic Disney animation, our heroine has only one parent. What is it with Disney and this angle? While Pixar artists seem to struggle with deep troubling emotions as evidenced by their art, Disney animators must not know what to do with a hero or heroine that comes from an alive and kicking two parent traditional family. Tangled is the only recent film that breaks this unfortunate aspect. 

Unfortunately, the content and flow of this beautiful looking piece of art is faulty. Very faulty. The film loses its soul over a plot line that takes much too long to develop to a winning and satisfying finale. By the end of the two hour long presentation, its excessive preachiness, the lack of depth of its characters, and its almost laughable and rushed kumbaya camp fire sing-a-long type conclusion, the viewer loses any lasting connection to its characters and its strengths. So much wasted potential.

Not is all lost, it would still make a wonderful dark ride cruise in a theme park. (Epcot 2.0 could certainly use a new World Showcase pavilion, now that I think about it.)

Raya has great intentions, forging a reminder to love your enemies, (Gee, I think Jesus of Nazareth was the first to speak this truth) but it forgets to tell a great story in a concise manner that holds the viewers interest. That's Storytelling 101. Ultimately, Raya and the Last Dragon is just one more Disney animated movie that's a one and done. If you want an Asian themed animated movie with staying power, Mulan is still the girl worth fighting for.

(Art copyright The Walt Disney Company.)

December 29, 2020

Soul Less Than It Could Be

Pixar's Soul is a very good film, but it is far less effective than it could be. The main culprit is the now expected "imaginative element" that strips the story of its power and impact. By incorporating the Mormon (Church of Latter Day Saints) belief of "Premortality" - where people before birth lived in the presence of God without a physical body - into the plot, the storytellers avoid going deeper into the life of main character Joe Gardner, his family, his friends, and Black culture. Much like how the Black Lives Matter movement loses points and impact by aiming to "disrupt the Western-prescribed nuclear family structure", Soul loses a chance at being a much better film by trying to be clever. Instead of using the time to further develop Joe's story to even greater depth, there's too much time and emphasis placed on the struggles of the film's spirit world.

That said, there's more to celebrate here than to be disappointed by! Jamie Foxx is terrific as Joe, everyman middle school music teacher who longs for more. Tina Fey is annoying and effective as "22", the troubled spirit who accompanies Joe on his quest. Some self-proclaimed culture watchdogs have problem with her casting, but let's grow up. Humans interact with all types of people from different backgrounds and cultures and of different colors. Actors should have the freedom to act. It's part of their job description inherent in their title. 

An easy win is the sparkling music and the now expected life-like animation. Trent Reznor, Atticus Ross, and especially Jon Batiste create a compelling musical foundation that strengthens the story Pete Docter and team wanted to tell. Singer Cody Chesnutt is especially good as the musician who chooses a subway station as his busking locale. From an animation standpoint, the scene where Joe sheds a tear is powerful in its understatement and simplicity. 

While the music is excellent, it is the wide scope of characters and how they interact that gives Soul its depth. Unlike too many Disney films in particular, Joe comes from a traditional two parent- male and female - family. The character of his mother wisely avoids stereotypes. She's both strong and independent without being militant or disrespectful of others. When we first meet her, Joe's musical idol is imperfect, displaying a jaded and somewhat snobby attitude. Joe's friends in the barber shop run the gamut of personalities. In other words, his world is filled with normal people trying to make it in a difficult but often amazing world. Kudos to the writers for balancing the difficulties of being Black in America without pushing agendas. These factors make Soul accessible to all and a story everyone can embrace and learn from. As Dr. John Perkins states in his excellent book One Blood, a must-read for people of every color, we are 99% more alike than we are different. Something our politicians, Hollywood, and people in general, would be wise to remember.

(Image copyright Pixar.)

October 23, 2020

The Nastiest Disney War

So a little vacation reading did include Disney War by Pulitzer Prize winning author James B. Stewart. It's a lengthy, in-depth, and eye opening report of the ascent of Michael Eisner and Frank Wells to the thrones of the Walt Disney Company- and then Michael's fall from grace with investors and insiders. I'd read both Eisner and Iger's books before picking up Disney War. In contrast to this one, Michael and Robert's accounts of their own stories come off as pure propaganda.

While I always deemed Eisner great for the theme parks and animated movies in his first decade, it was easy to see his success wasn't lasting for his second one. Lousy animated films, second rate direct to video movies, half baked parks such as California Adventure and Walt Disney Studios Paris, and poor quality television shows tarnished the Disney brand- all making the way for Eisner to be pushed out. (If like me, you're looking for a book rich with stories about the development of theme parks, attractions, and the battles and strategies behind them, this is not the book for you. There's a handful but nothing you can't find elsewhere.)

As hard as Stewart tries, he cannot help but come to some conclusions that remove the pixie dust from those readers wanting to stay happily in the Disney bubble of fantasy. Behind the scenes, Eisner's poor relationship skills with those he worked with and other non-Disney executives come to light- particularly Pixar's Steve Jobs. Eisner comes across as arrogant, narcissistic, backstabbing, paranoid, and unwilling to consider the input of others. He's certainly creative, but he's a man who lacks integrity and is dishonest as can be. Disappointing.

Although Robert Iger comes off as rather stiff creatively during these years, he is viewed as rather honest and likable overall. Certainly not  bad qualities to be viewed as poccessing in that fast paced cut throat world. Is that still him? I'm not sure. The quick switch of roles with Bob Chapek pre-COVID changing life in the States makes me think years at Disney changed him for the worse. I'd love to be proven wrong. Perhaps the story will be told in a Disney Wars sequel. And Stewart would be just the man to write it.

April 9, 2020

Inside The Science Behind Pixar Exhibit

Were you one of the fortunate ones who got to see the "The Science Behind Pixar" traveling exhibit before the Coronavirus shut everything down? We were blessed to get in while it was at the Denver Museum of Nature & Science. 

A "Wallpaper" of characters.

As a guest, you begin- where else?- in a theater that introduces the process animators use to create a film. Everything from story and character development to backgrounds. Our hostess explained that before she could work there, she had to become familiar with every Pixar animated film; more than enough to be able to answer questions of anyone attending the museum's exhibit.

The variety of artwork displayed was Incredible!

A life size Buzz Lightyear greets you just outside the theater, creating the perfect photo opportunity; one of many placed throughout so visitors can get a taste of what it's like to encounter characters at their favorite Disney theme park. 

Next, it's on to the individual displays highlighting the process. How did they create surfaces? How did they make special effects? How could viewers get a bugs eyed view of the world? How did characters stretch, move, and display emotion? So many questions to answer, and the folks who bring it all together instruct the audience using film and hands on activities to teach in a very entertaining manner. All this learning going on and not one complaining kid (or adult) to be found!

Each of the different Pixar films brought unique elements that had to be created. To tell the story of each process, the displays use different interactive elements, everything from puzzles and games, to bug eyed lenses and more. Visitors are given the opportunity to create their own sound effects, change colors on background landscapes to evoke a particular mood, and more. 

The tapestry above, for Brave, is actually just a high gloss piece of very large paper with a design created entirely on the computer. I wouldn't have believed it for myself unless I was able to touch it.

On the way out the exit, the last wall displays one of the most mesmerizing pieces. A huge mural recreates Miguel from Coco as he first gazes upon The Land of the Dead. The brilliant colors dazzle your eyes! 

What will the experts at Pixar have to think up next as they flesh out each individual film? It's hard to say. But one thing is certain, it will be amazing! And it will make for even more behind the scenes stories for traveling exhibits such as these. 

(Photographs copyright Mark Taft. "Flying Buzz" right from Pixar.)

February 25, 2020

Sexualization of Children Needs to Stop

It's time for some common sense. The ongoing sexualization of children needs to stop, but unfortunately some artists are using creative freedom to target children. The latest of Billboard magazine's lead articles this Tuesday feature Nina West (of RuPaul's Drag Race) and her desire to create the "Drag Alphabet". 

In an interview with the artist, Nina shares, "I have wanted to build a really solid foundation of a relationship in children's spaces for drag, and for drag entertainment to enter those spaces," she says. "So what a better way to revisit this idea and this topic than to start with the alphabet?" 

Let's be honest: Parenting is a way in which adults use their time with their own children to impart values near and dear to them. Issues relating to sexuality and expression of it should be handled by the parents of children, not the media, and certainly not the government. However, media giants under the guise of artistic freedom have decided to break those boundaries. Disney has done it before with the live action Beauty and the Beast, Pixar is now doing it with Onward, and it's only the beginning. Anyone in the industry can tell you their ranks include those who prey on children and young teens. Where is the line drawn?

This is not just an inclusive reflection of our society. For those so inclined, this type of media is also a form of grooming- preparing children to be sexualized and used by adults for their own gratification. 

If the #MeToo movement has taught us anything, it's taught us that it's time to stop allowing this madness to continue.

This ongoing assault against children needs to stop. The producers of this garbage are leaving us no choice but to make hard decisions.  Who will lead the way?

January 24, 2019

The New and Old Bargain Basement Imagineering at California Adventure

Sometimes you just have to feel for the folks at Imagineering who are given a project that is just doomed for failure. Pixar Pier comes to mind most recently. Often these cheaper less glamorous assignments go to less experienced people. But not always.

Tim Delaney, one of the best of Imagineering's stars, had the unfortunate task of creating Paradise Pier at the highly discounted California Adventure park. With the added burden of having to make it "hip and edgy", Tim set about his work. Ultimately, he was responsible for one of the new park's only successes: California Screamin'. 

So, here you've got a guy responsible for Disneyland Paris' incredible Space Mountain: De la Terre à la Lune, designing a whole land of minimally themed attractions to flesh out a park that was mandated to be "just good enough". No win situation. But back to the concept art. This piece looks as good as can be under these dire directives. Originally named "Surf City", giant versions of California icons will the skyline, with even the Maliboomer taking on the look of giant palm trees.

After the park was received by the press and Disney fans as a resounding failure, plans were finally put into place to make it a bit more classic, a bit more engaging, and a lot more worthy of bearing the name Disney. The process began with the addition of Toy Story Midway Mania which was housed in a beautiful new San Diego inspired building at the Pier. Work on the new design aesthetic culminated in the 2012 opening of Buena Vista Street and Cars Land.


Tim's art made the best of bad directions from top brass.

It was all promptly thrown away at the new demand of bringing Pixar and Marvel into the park at any (but a minimal) expense.

Some considerable investment went into transforming Twilight Zone Tower of Terror into Guardians of the Galaxy: Mission Breakout, but not for the new Pixar Pier. It's just another version of Bargain Basement Imagineering, something that got California Adventure slammed in the first place. Sounds like the new Marvel area won't be much better.

Apparently, the suits have learned little as they dismantle what little charm they had once built into Disneyland's younger sister. 

Want to see all the concept art that chronicles the history of California Adventure? Look at my Bargain Basement Imagineering series which begins here.

January 3, 2019

My Most Anticipated Disney Happenings for 2019

2019- A new year, and a whole new year of exciting things to look forward to in the Disney world. What's on the top of my list? How about these items (in no particular order):

Phantom Manor redo. Photographer unknown.

The Complete re-Imagining of the Phantom Manor. 

For some of you, this will be an unexpected choice. The Parisian park is still the reigning champion of the title Most Beautiful Magic Kingdom. After a lengthy season of being ignored, the Walt Disney Company purchased remaining shares, completing ownership of the place. (A very shrewd move, I say.) One at a time, each major attraction has undergone a complete refurbishment. Phantom Manor seems to be at the bottom of the list but with the most enhancements coming. I absolutely love this unique new take on the Haunted Mansion! The score is a stunning centerpiece of it all with a storyline that will send real shivers down your spine. 

Even for someone not a huge Star Wars fan, this is a must see.

Star Wars: Galaxy's Edge.

No one in my family would call me a Star Wars fan. I've seen exactly three of the films. They vary in quality and execution, so you can probably take some educated guesses and determine which ones they are. But even a casual fan has to admit, these new lands are intriguing and probably the most well-themed Imagineering has ever created. It belongs in the Studios but is questionable at best inside Disneyland. Thanks again to Universal Orlando for upping the ante by adding Harry Potter themed lands to their parks. 

It had better be good as Toy Story 3 provided a perfect end to the series.

Toy Story 4. 

As much as the Disney theme parks are the reason I am a fan, I am also a fan of their animated movies, Pixar or otherwise. But not every Disney movie is of interest to me or a must-see. Toy Story 4 is an exception. Buzz Lightyear is my favorite character, but the entire cast and storyline of the original film has a soft spot in may heart. You'd think that would make me a big fan of the Toy Story Lands scattered throughout the Disney universe. Think again. I'm not.

Sisters not lovers.
Frozen 2.

Look- the main story here is about two sisters that love each other. It's a very good film, one with a surprising twist that became a new norm for those that came after it. The animation is old school Disney excellence, and the music is memorable. If the storyline goes lesbian, I'm out. (Pun intended.) Disney has to decide its audience, and little kids - the core audience- do not have the capacity to understand the nuances of sexuality and the complexity of relationships that come out from choices people make. That's the parents' job in their own time, not the filmmakers. I want to take my sweet little granddaughters to this film for a date. All I ask is you think it through for yourself. Openly gay attorney Joseph R. Murray II has the right idea. Here's his piece on the "gay element" in the live action version of Beauty and the Beast. (And yes, I have gay friends and family members.)

Great idea in a very wrong location.

Mickey and Minnie's Runaway Railway.

I'm anticipating this attraction to be the runaway hit of our family when we are visiting Walt Disney World this Fall. My oldest daughter hasn't been to the World since 1999, and her husband has been to Disneyland once. This will be the first Disney park experience for him and their kids, ages 4, 6, and 8. Other than giving the boot to The Great Movie Ride, what isn't there to like about an E Ticket attraction focused on Mickey and Minnie? Absolutely nothing!

Ka-chow!

Lightning McQueen’s Racing Academy.

Yes, a show. I'm not a big fan of theme park shows- although the two main ones at Animal Kingdom are amazing. But my little first time visitors to the world love the Cars characters, so I can't wait to see this with them. Is this a blockbuster? Not at all. In some ways, it's a filler to Disney's Hollywood Studios, a park with not much to do. Before and after Star Wars: Galaxy's Edge opens. If this is anything close to the charming Turtle Talk with Crush at Epcot, I'll be a repeat guest.

Always something worth waiting for!

D23 2019.

Last but not least, I am looking forward to D23. Good or bad, Epcot's Re-Imagining should be the focal point of the Park's Presentation. Even though Disney's Animal Kingdom is gaining ground, Florida's second Disney park is still my favorite. What will they announce? Hopefully, only good things in theme with the park's mission. But I know it will be different than that. At this point, I just want to know what's coming.

What's on your list?

(Art copyright The Walt Disney Company.)

October 4, 2018

Another Look at Legends of the Fall

Beautiful in its sadness and despair, stark in its portrayal of the frailties of life, the classic film Legends of the Fall (1994) stars Brad Pitt, Anthony Hopkins, Aidan Quinn, and Henry Thomas (now all grown up from the movie ET). Every one of these Ludlow men are seriously impacted by the lovely, charming, but emotionally unstable Susannah, brilliantly played by Julia Ormond. 

As part of my Lufthansa film festival on the way to work overseas, I decided to take another look at this powerful and disturbing film. I was awestruck by the cinematography by John Toll. His sharp eye at capturing the stunning, and at times deadly, landscapes sets the scene for the immense drama of this family torn apart by love, lust, and passions of various kinds. Even war is savagely beautiful under his watch.

Although Ormond and Pitt seem to be the centerpiece of the film, none of the actors are lost as second hand characters. Aidan Quinn and Anthony Hopkins are first rate. Even actress Karina Lombard turns a relatively small role into one worthy of remembrance. (Speaking off small roles, Friends actress Christina Pickles makes an appearance as the mother who leaves the West behind.) 

This is the kind of film worthy of discussion due to its powerful themes of love, life, and death. It's a whole different world than the one delivered to us by most film makers today. Escapist fare like Marvel and Star Wars may be popcorn worthy fun, but in a season when Pixar creates some of the most heartfelt and compelling movies, its assuring to know that powerful films such as Legends never really go out of style.

June 19, 2018

From Pixar Pier Back to Bargain Basement Imagineering

With the opening of Pixar Pier on its way this weekend, I thought it might be fun to take a look at two pieces of concept art which show the original plan for Paradise Pier. 

Imagineer Tim Delaney was the artist behind this poorly conceived California Adventure project. Tim's a gifted man, but when the suits order "fast, cheap, and similar to Six Flags", if you want a job, you do what's told. 

It's just a piece of the Bargain Basement Imagineering that made Disney's second Anaheim park clearly second class. That popular blog series by that name can be found here- and then the rebirth came.

Finally under Robert Iger's forced hand, the artists were told to go for it and bring Disney class and attention to detail to the park. Imagineering a New Dream tells that story. Go here- and enjoy.

(Yes, Part Two of our Disney World After a Decade comes later in the week...)

(Art copyright The Walt Disney Company.)

April 13, 2018

Love the Incredibles?

Love the first movie. Love the poster. Will probably love the second Incredibles movie. Here's the trailer:



Love the Incredicoaster coming to Pixar Pier at California Adventure? Probably, even if it is shoe-horned into the park. At least Mickey is still on the Fun Wheel!

(Art copyright The Walt Disney Company.)

January 14, 2018

Geek's Goodbye to Paradise Pier

Paradise Pier gives way to Pixar Pier, and the great Disney Geek site is there to photograph the change. Good or bad, the opening day attraction California Screamin' is transforming into the new-ish Incredicoaster, a forced but probably fun, character overlay. If you want to watch the land change, start your park photographic journey here. And the next chapter is here.

(Photograph copyright The Disney Geek.)

December 29, 2017

A Little Peoplemover Behind the Submarine Voyage

Disneyland's Submarine Voyage gets a refresh. Long before the classic Peoplemover bit the dust. When Tomorrowland looked forward instead of drawing its inspiration from the Disney / Pixar animation blockbusters. Just a sweet little photo from World's Fair Photos. 

December 14, 2017

Announced: Disney Buys Fox Assets

It's happened! Disney just announced its bought assets from Fox Studios for over $52 Billion. This means the House of Mouse now owns the original Star Wars films, Avatar, the Simpsons, and a huge host of classic films. An even bigger powerhouse with Pixar and Marvel already in the family.

Robert Iger will stay until 2021- or a suitable replacement is found. The man will go down in Disney history as acquiring the most expansion collection of properties ever seen. More coming.

November 30, 2017

Shanghai's Toy Story Land from the Air

Mainland China's Shanghai Disneyland may be the home to one amazing attraction, Pirates of the Caribbean: Battle for the Sunken Treasure, but as the concept art above proves, it's also prone to building on the fast and cheap. 



Witness Toy Story Land from the air.  Proof that even the most expensive park slides in filler to build more capacity quickly. Lower right attraction is clearly a Mater's Junkyard Jamboree knockoff from California Adventure. Slinky Dog ride from the Paris Studios and Hong Kong Disneyland,  and RC Racers as well. 

Perhaps this all reminds us that one man's discretions (John Lasseter) - and potentially one man's cover up of them (Robert Iger) - won't necessarily always be associated with the Disney-Pixar brand. Movies, theme parks, or otherwise.

The groundbreaking ceremony.

More artwork below:



(Concept art copyright The Walt Disney Company.)

November 25, 2017

Bittersweet Coco

Disney - Pixar's stunning Coco is an incredible work of art from so many perspectives, but it is ultimately a mixed bag for young children and their parents. The characters are rich and emotionally complex. But mostly, they are dead, and this creates some of the most difficult pieces to reconcile as a parent (or grandparent) of young children wanting to see the film.


The Mexican celebration of Día de los Muertos, The Day of the Dead, forms the foundation for the events of the movie. The main characters build ofrendas (altars) as part of the lively celebration to invite the spirits of the departed to visit them on the holiday, allowing them to cross over into the land of the living for the celebration. If their photo is not on the family altar, and if they are forgotten, those living on the other side disappear into nothingness.


Miguel, the young boy who is the heart of the film, is a musician at the core of his being. This creates difficulty for he and his family, and it seems only his small street dog Dante- a reference to the famous poem- understands him. The family hates music because a beloved patriarch had deserted them in order to find success and fame. In a town that is alive with music, it's all around Miguel, fanning the flames of his desire. Not for fame, but for the ability to follow his dream and create music he loves.

The animation in his village is gorgeous and true to life. Having spent so many family vacations in rural Baja California when I was a child, I can attest that the artists did their homework in capturing the charm of the small town. The artwork is as vibrant as the music that's played. 

Yet, it's absolutely nothing compared to the imaginary world Miguel encounters when he finds himself in the land of the dead. In this next world, there's an equal energy and color that is very appealing. From an artistic standpoint, the animators did a brilliant job creating a world we would love to explore. There's nothing dark to be found aside from the outskirts of the city. It's a different twist on the afterlife, but it draws on an appealing idea of what we might like it to be. An effective take on the place, playing on the same fascination with the spiritual world that makes Disneyland's enduring Haunted Mansion attraction so appealing.

The story gets high marks for reinforcing the value of family and sacrifice for the greater good. It even wins points for dealing with lack of forgiveness, selfishness, and bitterness. But there's a dark undertone that punctuates the whole morality tale. 

While I certainly do not get my theology from popular films, I certainly can't run away from the spiritual aspects of this film. Nor would I not attend a movie, animated or otherwise, because of themes contradictory to my beliefs. If so, I'd never enter a theater.  That said, because its theology is so central to the story, I can't ignore it either. 

There's a interesting mix of theologies in Coco, ultimately setting aside Biblical truth. (According to Jesus Christ himself, eternity exists for all humans- a place in Heaven or Hell dependent on each individual's acceptance of Him as Lord and Savior or not. See Matthew 5 and 10, and Luke 5 in your Bible.) The newest Pixar flick is interwoven with religious ideas, folklore, and mysticism. (Theologians refer to this as syncretism, the mixing of multiple religious beliefs.) But there's no need for a Savior here because there's no penalty for sin, only an end to eternal life if not remembered by your family. Heady stuff. Even if its true to the Mexican culture, the belief system taught in Coco intertwines some aspects of Roman Catholicism with those of other indigenous thoughts, including the idea of "spirit guides" being with them and guiding them into the netherworld.  

This is not new territory for Disney. The company's television show, Elena of Avalor has already included the supernatural companions. All said, this means younger children need the opportunity to hear from their parents about the individual family's religious beliefs, Christian or otherwise. 

Why is a parental follow-up necessary? Even traditional Disney animated classics are filled with characters and often pagan plot lines that are troublesome when compared to the truths found in Biblical Christianity. It's easier to look at other Disney films that deal with mythology (such as Hercules) with a bit more forgiveness because we as Westerners now doubt anyone in Europe really believes in multiple deities. Even Moana gets a bit of a pass in this department as the Hawaiian culture has a relatively small group of folks who follow the religious part of their culture. Coco is in a different league entirely. Millions of people adhere to the theology being taught alongside the important lessons of love, forgiveness, and the pursuit of dreams.


Back to the film. Act One sets the stage for the story, hitting a high mark. Act Two lags a bit, even getting very, very serious in tone as some of the main characters reveal there are skeletons in their closets, including some very evil deeds. Although at times the music gives viewers the feeling of sweetness and joy, there's very little comic relief in Coco. That alone sets it apart from other Pixar films. Imagine Act One of Up lasting for an entire film. It's that intense, and it's probably the point that younger children would lose interest. Act Three is a fitting conclusion, full of bittersweet moments. Pain, suffering, and disappointment co-mingled with warmth, love, and peace. Much like life itself.

Many critics are hailing Coco as a return to form for Pixar. It is a refreshing change of pace from all the recent sequels as well as something new in the realm of settings and characters. And it is true to the culture, making it an excellent addition to the Mexico pavilion at Epcot. (Particularly if the company continues to force the stable of characters into their parks. Rest in peace El Rio del Tiempo!) However, it does drag in the second act, moving it away from the top tier of Pixar films.

Should you see Coco? The choice is always yours. As an animation fan, it's a solid but imperfect work of art. View it as such. If you're taking children with you, be responsible have have the important spiritual discussions with them after the film. There's certainly plenty to talk about.

(Art copyright Disney - Pixar.)