Will Time Stand Still in Tomorrowland?

So many rumors abound that D23 will announce an total and much needed revamp to Disneyland's tired Tomorrowland. It's not that Imagineering's Tony Baxter and team didn't create something with potential. It's that even the fun but short-lived Rocket Rods was budget engineered. Bargain Basement Imagineering, actually. Much like Disney's California Adventure was at the time. (That's an entirely different multi-part story I've already told here. Just search for it. But let's not even talk about Tokyo Disneysea which opened the same year as the disaster that was DCA!)

But look at what Walt Disney World's Magic Kingdom got in the 90s! A brand new sparkling Tomorrowland with the epic Alien Encounter, the Timekeeper, which also debuted at Euro Disney/ Disneyland Paris, and a whole slew of beautiful design pieces. Like this sweet entrance marquee. The fanciful approach to the land stayed fresh for years.

Unfortunately, we can't say that at Disneyland!  With the corpse of the Peoplemover there for over 20 years now and acres of unused space, the place is a thematic mess. Walt would be rightfully embarrassed. Is MiceChat correct? Is a new Tomorrowland on the way? We shall see.

(Photograph copyright The Walt Disney Company.)

A Magic Kingdom for India

A new Magic Kingdom in India? Oh, you can bet it's coming as Disney ramps up their operations in the country! With the announcement of K. Madhavan's being named president of Disney India and Star India, those who have been around the Disney block for years know this is the first step in making a Magic Kingdom in India a reality. (Check the history of Shanghai Disneyland. See the pattern?)

There has been a recurring rumor that Disney Imagineers were actively designing an India pavilion in World Showcase at Epcot. But this would be even better. Being one of the world's oldest civilizations and one of the most populated places on earth, India is prime for a Disney invasion and park to follow. 

Wouldn't you want to see a smaller version of this

grace the World Showcase lagoon? I would!

With regards to Epcot, it would have brought in some new mystique and definitely food options on the largely Eurocentric park now IP filled park. A fresh World Showcase expansion is not a new idea. At the WDWMagic boards have been talking about it for years. Keep watching their boards. They have a great track record as industry insiders post there as well as passionate fans.

Taj Mahal Westcot version. Oh what could have been!

Years back, the idea of an Indian theme park is was the not too unexpected hidden news within MiceChat's update by MiceAge founder Al Lutz. You can find the article here (Al Lutz India park rumor)- look toward the very end of it. Although the bulk of the article chronicles the would of  /should of aspects of the troubled Star Wars: Galaxy's Edge and all the cutting Bob Chapek did to what was originally intended, a Disneyland in India was the real news behind things.

With the popularity of Bollywood films and the increase of Indian characters in television programming  Disney Imagineering has long wanted to include the mysterious world of India into the parks. Westcot in California- may it Rest In Peace- included the nation in its extensive plans. (Read more about it here- and see the concept art.) Stay posted for future developments. The next D23 could give us an update on a Mumbai or Dehli Disneyland, but it is probably too soon for that.

(Top photo copyright The Walt Disney Company.)

The Amazing Disappearing Disney Article II

Catch it while you can. This one article is bound to disappear soon as well, but judge for yourself...

Or read it below, written by Gary Snyder on Medium:

"Oh Mickey.
Just after midnight on March 20, 2019, rendered in perhaps his most famous role as The Sorcerer’s Apprentice, Mickey Mouse sat square in the middle of a new corporate landing page for the world to take in all that is now the Walt Disney Company. To his immediate left, the affable ambassador of not merely a corporate leviathan but of America itself was bordered by Marvel’s Deadpool. To his right, Lucasfilm’s Lando Calrissian. And just above the word “Disney,” over the ubiquitous mouse, was an image of Avatar’s Jake Sully and Neytiri.

The jarring juxtaposition of images aside, each story behind those three pieces of intellectual property — now part of the Disney vault — runs counter to the core mission of the company’s eponymous founder. Far from family entertainment, they arc from a degenerate mercenary drawn from the world of Marvel Comics to a human trafficker in the Star Wars canon to the architects of genocide as James Cameron’s Avatar took corporatocracy to the extreme of the sci-fi realm.

But, beyond the $244 billion media company that exists in its current form less as a product of creative ambition and more as the result of by-the-numbers acquisitions, there is the veneer of that name: Walt Disney. Still today, more than a half of a century after his death, it implies something. If it is Disney, it is quality. If it is Disney, it is family-friendly.

If it is Disney, it can be trusted.

Only, as the Walt Disney Company surveyed the cyber-scape of a post-September 11th world in the early aughts, its corporate overlords began to realize the company was poorly positioned as traditional media in a then-new click-to-publish atmosphere where anyone with an Internet connection had the potential to turn a carefully crafted public relations campaign into the current-day equivalent of a meme. And, for the first time, Disney found itself on the receiving end of searing criticism from its most loyal fans while, at the same time, roiling from the failed launch of a second theme park across from the original Disneyland.

Enter Al Lutz. An unremarkable, meek if passionate former recording industry executive who gained a following in the early days of online engagement with Usenet, Internet newsgroups where everyday folks could share and amplify their opinions without the glass ceilings and filters or credential-minded gatekeepers of major media’s domain.

Known for “The D-I-G,” or the Disneyland Information Guide, Lutz began his online life as a resource for individuals who were planning a trip to Anaheim, California. Often, where Disney had failed to make up-to-date information on the park available online, he would deliver a just-as-it-is breakdown of everything from park hours to attraction closings to dining and lodging options.
He also would post sometimes harsh criticism of the failings of Disney’s management with regard to the park and, while regularly mocked for mentioning matters as trivial to some as peeling paint and burned out light bulbs, Lutz had earned his bona fides among Disney’s most ardent fans of its theme parks and the company itself by being a reliable, and remarkably accurate, font of information.
This presented a problem for Team Disney Anaheim, where the feet-on-the-ground operations are based, and in the highest reaches of Burbank at the Walt Disney Company’s headquarters off Buena Vista Street. As Lutz had not only grabbed the cyber-tethers of the still nascent online fan community who would wait for an update from ‘their’ man in the field, he had increasingly become the turn-to critic mainstream journalists would go to for a quote on the company.

Complaining about chipped paint on the facade of a dressed-up carnival ride in Fantasyland was one thing, being cited as an authority by the Los Angeles Times was something entirely different.

As Disney’s California Adventure opened in February of 2001 to a less-than-enthusiastic response, Lutz became an entrenched voice of discontent. From behind the screen of his computer, he lashed out at executives like theme park chief Paul Pressler, the target of his online campaign “Promote Paul Pressler!,” with energy anew over the perceived neglect of what had become, to him and his followers, their Disneyland.

Except now, it was the Disneyland Resort. With a new resort hotel, a shopping and dining area, a massive parking structure and major infrastructure improvements in what had been named the Anaheim Resort District. And, aside from the significant expenditure by Disney, the reputation of the very company whose founder is credited as having invented the theme park found itself being held to account for what Burbank was having to admit was, in its best light, a missed opportunity with Disney’s California Adventure. More aptly framed, this was the failure of its long awaited expansion.

Among fans and Disney executives alike, there was no bigger name than Al Lutz. Soft as the exterior was, this almost first of his kind online personality hit hard. As Dave Gardetta wrote in Los Angeles Magazine of Disney’s most well-known blogger, “He’s its Walter Winchell.”

Enter George Kalogridis. A career employee of the company whose backstory was part of the corporate selling of tens of thousands of low-wage, dead-end jobs for employees Disney terms “cast members.” Kalogridis started at the opening of Walt Disney World in 1971, as a busboy at the Contemporary Resort, one of the resort hotels to open with the park.

Now, 30 years later, in late 2001, Kalogridis was second-in-command of the Disneyland Resort — a resort suddenly in trouble. Suddenly under tremendous scrutiny. But, the scrutiny was not coming from the local media or government, which had paid handsomely for the resort’s expansion. The scrutiny was coming from someone who may well have been the first influencer as these individuals would come to be known.

That was Al Lutz.

Although today the word ‘influencer’ produces positive images of polished Instagram posts and well-produced digital clips that work as de facto marketing arms of major companies, the idea of employing the influence of an online voice grew as a reactionary step by companies to online as well as real world critics. Kalogridis wanted to know how to blunt that criticism.

I know because I was one of the individuals he consulted. A few years earlier, I had met George Kalogridis when he was the vice president of Disney’s second park in Orlando — the former EPCOT Center — and I was a guest of corporate for the Walt Disney World Millennium Celebration on December 31, 1999.

When he was promoted to the job in Anaheim, I was one of the first people he told. When the Disneyland Resort had its debut in February of 2001, I was his personal guest. My personal host was another Disney employee, Andrew Hardy, who would become George’s husband.

So then it made sense, knowing my depth of knowledge of the industry and familiarity both with him and the growing online presence of Lutz and others, that he would ask.

And ask he did. Driving down from Los Angeles on a pleasant afternoon in late 2001, I met George for lunch at a sparsely attended Disney’s California Adventure. There, the prim-to-pretentious executive selected a quick-service dining location called Taste Pilots’ Grill in a wide step outside of the normal fine dining we would enjoy. We ordered salads, served in plastic containers and eaten outside just under the monorail beam. With the park so unpopular and the economy struck by the attacks of 9/11, however, we had not a single guest sharing the outside dining area with us.

It was clear both George and the new Disneyland Resort were in trouble.

George saw an abrupt end to his career. Disney saw its reputation as the world leader in themed entertainment heading for a potentially unrecoverable fall.

This was unacceptable. Most especially to Zenia Mucha.
Mucha earned her reputation as an off-with-their-heads but always-on-message political operative for then-New York Governor George Pataki who came to Disney’s ABC television network having been courted by Robert A. Iger. At the time, Mucha had turned her role as communications director and advisor to the governor to include, as the New York Times noted, “virtually every major decision made by the governor.”

Arriving on-scene in Burbank, the rise was swift and deliberate. By May of 2002, with longtime CEO Michael D. Eisner in a curiously choreographed media swiftboating, Mucha, who was known as “Director of Revenge” in her prior life as a politico and termed “Mickey Mouse’s Karl Rove” by journalist Matt Stoller, was promoted to director of corporate communications for ABC’s parent company — the Walt Disney Company. Replacing John Dreyer, a trusted and loyal keeper of the Disney brand, Mucha was a harsh turn from the almost family-like atmosphere Michael Eisner and Frank Wells, Disney’s former president, had fostered as part of their rise to the very top of the House of Mouse.

Indeed, Jody Dreyer, Eisner’s longtime personal assistant and herself a member of the corporate communications department, was married to John. Without delay, however, Mucha had arranged the chairs to position herself as the eyes and ears of the company’s most senior executives. As John Dreyer took time away to “pursue other opportunities,” it became apparent Mucha’s ‘eyes and ears’ (which is also the name of an intracompany publication) were not necessarily there for the benefit of the individual she, at least as her job description stated, reported to: Michael D. Eisner.

From within the company, there were continuing concerns its new communications director might well have been positioned in Eisner’s office to advance the interests, to fulfill the ambitions, of Robert Iger, then-president of Disney subsidiary ABC, who is widely cited as having been instrumental in her rapid rise once at Disney. After all, he brought her into the fold — and, it had long been rumored, held major political ambitions. Of course, being the head of a network when that network is a subsidiary of the Walt Disney Company under a celebrity-esque CEO who fashioned himself as a reanimated “Uncle Walt” does not get you much in the way of press.

That was Mucha’s domain. Enter the “Save Disney” campaign.


Within a year of moving into her office in the building held up by the Seven Dwarfs on the lot in Burbank, what had started as rumblings that Roy E. Disney and business partner Stanley Gold, who had drafted Eisner and Wells nearly 20 years prior, were becoming the eighth dwarf — Malcontent — became a full-bore mutiny. Suddenly dissatisfied with the direction of the company, Disney and Gold vocally called for the removal of Eisner. Labeling the Walt Disney Company under Eisner, and ironically given the company that now is, “a rapacious, soul-less conglomerate” void of a succession plan.

If an online campaign of any sort seems out of character for the nephew of the company’s founder, who was most known for the ouster of Ron Miller, Walt Disney’s son-in-law, as the head of Disney to allow for Eisner and Wells’ entry, that is likely because it could not have been more outside of his lane. After all, not only had Eisner built the company that was headed for a hostile takeover with accompanying break-up for parts and profit into a global media behemoth, in a move that led to what has been termed Disney’s second Golden Age in animation, he appointed Roy chairman of the animation department.

Now, if an online campaign by an individual sharing the name Disney sounds more like the move of a savvy political operative, you might be inclined to look over at the individual recruited by Eisner’s successor as CEO. You might want to look at the person brought over from Governor Pataki’s office: Zenia Mucha.
Oh, and the timid if intense fellow who once introduced a classical music take on some of Disney’s most beloved tunes. The former recording industry executive. Al Lutz.

Admittedly, it does seem like an odd pairing. And it is. Yet, on the homepage of SaveDisney.com, prominently featured, was a link to what was represented as Lutz’s latest and greatest hits on Disney and its leadership under Eisner. True to the reputation of the online enigma that Lutz had grown into, it was unforgiving.
It also was not Al Lutz proselytizing to his followers who might be planning a visit to Disneyland or might have visited one of the Disney parks.

Mucha had identified, early on, the power of the World Wide Web and the potential to employ a vast network of ‘volunteers’ to bring about a certain outcome. And, in what may well be the first example of online gaslighting and the launch of brand ambassadors or advocates — now termed influencers — Mucha’s department, and the corporate communications director for what is now the world’s largest media company and the home of a major news network, had set their sights on a proxy. That proxy? It was Al.
Except, the recording industry guy turned media company gadfly was hardly able to produce the content, the strategic strands of nouns and verbs, required. No problem. From behind a keyboard, as the world has learned, anyone can pretend to be anyone. So, it appears, she did.

Mucha’s Disney recruited a hungry-as-a-dog-before-dinner and needier-than-a-new-arrival-to-Sunset-Boulevard cast member. Even gave him an impressive title to use, Corporate Liaison for Imagineering & Operations (“CLIO”).

No, that would not be Al. That was Troy C. Porter.

Except, to everyone clicking on that link at SaveDisney.com and everyone reading the columns produced, they thought they were reading the thoughts, observations and ramblings of their ‘old friend’ from The D-I-G. Instead, they read carefully crafted copy to undermine the leadership of Disney CEO Michael Eisner.
To this day, while Al Lutz has been in the later stages of Parkinson’s disease, the antagonistic voice of the fan community that is grating and caustic at the same time as it is homespun in that dysfunctional and abusive manner has been maintained as his. It is not.

By December of 2002, the online personality known as “Al Lutz” left the Disney fan site he co-founded, MousePlanet, and started MiceAge (later to be hosted by MiceChat, whose placeholder was and remains a backseat-blazer wearing and Simonized-smile dressed character known as “Dusty Sage,” who is, in real life, an individual with dubious connections to the Walt Disney Company named Todd Regan).

Quickly redirecting Al’s followers, Porter was engaged and continuously employed to ferry the talking points that seemed to advance the position of Mucha and Iger while, at the same time, undermining the leadership of — and, more importantly, the faith of the financial community in — Eisner. All, apparently, using the faux voice of an early superfan as misappropriated by the very corporate communications office of the head of the entire company.
All using the company’s co-founder’s son as a dupe in the Save Disney puppet show which was, in appearance if not fact, a corporate ops stratagem of Mucha and Iger.

The goal being, of course, to replace one “Uncle Walt” with another. Here, replacing Eisner with Iger in, what then was thought to be, an effort to position the latter on a launching board to high-level political office. The bailiwick of none other than Zenia Mucha.

And, for nearly a generation, it stayed positioned just so. The facade, as meticulously as they had crafted it, stood. Then, as typically happens, they got sloppy. Stupid. Arrogant. Or, maybe they were always that and folks simply did not think to question it — to pull pack the curtain to see what lurked behind it.
Dating to the mid-1990s, when Troy Porter relocated from Oregon to Southern California to work for Disney, he began posting on the Usenet boards. His online moniker was TP2000. To this day, on fan sites, you can find this same poster under an assumed persona posting about the behind the scenes happenings at Disneyland and within the Walt Disney Company.

Presenting as an Orange County Log Cabin Republican with a penchant for spinning yarns about “the neighbor lady” and “things overheard about the goings-on at Disney,” he seemed near-pitch perfect to adopt the writing voice Mucha and the top tier of Disney’s corporate communications department thought would sell to this new if soon-to-be industry-of-its-own medium of passionate fans who devoted significant portions of each day following every move of the company.

So Troy Porter became Al Lutz. Or, as the fans would see it, Al Lutz became somehow different yet familiar. But the con was in. Set. And it has stayed in position for all of these years with Disney listening in on and eventually manipulating discussion boards into controlled focus groups lorded over like a corporate clubhouse hidden in the backroom of your local YMCA.

From a former partner of Regan’s and housemate of Al’s, “I cannot say that Al ever wrote a single column for MiceAge or MiceChat.” And, in fact, studying the writing voice and the spot-on information distilled in a manner at once disparaging and dispiriting and yet also weirdly complimentary, or strategically complimentary, the fingerprints are all there.

These works were cut-and-paste-and-forward writings that read as though precisely positioned by Disney’s Mucha & Co.
“It always seemed as though, while people thought Al had all of these sources, something he would do nothing to dissuade people from believing, he had only one — Troy Porter.”

Continuing on, another person familiar with the operations of the site that published ‘Al’s column,’ said, “When Al missed a week or two, it was because Troy hadn’t sent the copy to him.”

It appeared there was a not-so-small amount of narcissism at play among all involved, however. As, by early 2005, with the relentless attacks by ‘Al Lutz’ as promoted by SaveDisney.com, the shareholders held a no-confidence vote and Eisner was on his way out. Who was to succeed him? Well, despite an alleged corporate search, there was only one candidate — Zenia Mucha’s. Robert A. Iger.

The eventual undoing was vanity though. As Porter had become so accustomed to the feedback loop writing as Al presented, and posting on fan forums as TP2000, he continued writing. For years after the Save Disney campaign was little more than a Wikipedia entry, Porter wrote as Lutz.

With the recent, and highest profile of Iger’s tenure, failure of the massive Star Wars land expansion, Galaxy’s Edge, added cancer-like on the back of Walt’s hallowed Disneyland with a companion land coming to Walt Disney World in just a couple of weeks, Al has reappeared in a grand way. Make that, Troy Porter has reappeared.
The goal — the reason— could not be clearer. As Porter wrote here, directing folks to ‘Al’s column’ on MiceChat.com:
“I wonder does the current crop of Burbank execs and Bob Chapek even know how big a deal this is? Do they understand the weight that Lutz’s words have with the long-term West Coast fan community? If I were Mr. Chapek, I would be concerned that I did indeed cut things a bit too far and awakened the Tiki Gods and Al Lutz.”

So, it seems, the ‘once an operative always an operative’ Mucha reenlisted that crusty old influencer from days of yore. Now, the need was even more urgent, as Iger needed someone to take the fall, hard and fast, for the flailing and single largest expansion at Disneyland and anchor intellectual property for both domestic resorts. That would be Mr. Chapek, the as-if-stylized-by-Mr. Clean chairman of Disney’s Parks & Resorts division.

And that career employee of the Walt Disney Company who started as a busboy at Walt Disney World’s Contemporary Resort? George Kalogridis? Well, George might well have been Mucha’s only real conduit to Troy Porter. Where is George?

George Kalogridis is the president of Walt Disney World. The largest private single-site employer in America — marketed as the world’s top vacation destination.

According to the story, he started clearing tables. Now, he sits at the head of the table.

As for how this all came to be, this campaign that likely is the start of what is understood now as that of the influencer who grew out of something pure and passionate — a fan, it all came to be one fall day at the flailing theme park across from Walt’s original in Anaheim. Over lunch at Taste Pilots’ Grill.

When an executive from Florida, whose job with the company if not career was on the line, asked a friend who was an early participant in the online world of engagement and knowledgeable in advancing a brand or thwarting one how to counter the later named superfan.
“Control the message by controlling the messenger,” I said. “Acquire the voice.”
“You do not counter someone like Al. You cannot counter Al. You can, if done smartly, own that voice as your own — as a conduit of the Walt Disney Company.”
Now, you can grab the fresh-squeezed lemonade, add in some just brewed iced tea, even toss in a bit of an adult libation and ask ‘the neighbor lady’ if she knows anything about how a political operative came to script everyday Mouseketeers, a weatherman came to lead the world’s largest media company and a busboy came to run the world’s largest resort destination.

After being named the new president of the Walt Disney World Resort in January of 2013, the local newspaper ran a puff piece by Jason Garcia entitled, “George Kalogridis: From clearing tables to Disney World chief.” Garcia wrote, “Kalogridis’ star has soared since he took over as president of Disneyland, where attendance and spending have ballooned…”

Quoted just below that: Al Lutz. “I think he showed up at the right time.”

Reflecting on that meeting in late 2001, over a mediocre Cobb salad with a man of middling potential who was seeking a spot on the mainstage, I am not entirely sure who Lutz was referring to.
Author’s Note: The Walt Disney Company declined to comment on this column."

A Brand New Magic Kingdom is Coming to India

A new Magic Kingdom in India? Yes, that really is the not totally unexpected hidden news within MiceChat's update by MiceAge founder Al Lutz. You can find the article here (Al Lutz India park rumor)- look toward the very end of it. The bulk of the article chronicles the would of  /should of aspects of the troubled Star Wars: Galaxy's Edge and all the cutting Bob Chapek did to what was originally intended- including that impressive looking animal transport- to save some big bucks. This was certainly a foolish decision after seeing dismal crowds and mostly tepid fan reaction all summer at Disneyland. (I had a lot to say about it three posts below.)

For years, there was a recurring rumor that Disney Imagineers were actively designing an India pavilion in World Showcase at Epcot. India is one of the world's oldest civilizations and one of the most populated places on earth. It also has the potential for a huge client base for Disney. Alain Littaye at Disney and More had this story to share way back in 2014 about Disney's attempts to break in to television and film there (as well as Consumer Products) and the hope of a new Magic Kingdom. 

Wouldn't you want to see a smaller version of this

grace the World Showcase lagoon? I would!

With regards to Epcot, it would bring in some new perspective on the overwhelmingly Eurocentric park. This whole World Showcase  expansion is not a new idea. At the WDWMagic boards have been talking about it for years as an expansion in addition to what's supposed to be added, the long delayed Brazil pavilion.  Watch those WDWMagic boards. It's a great inside source from real industry insiders with great track record. 

Taj Mahal Westcot version.

Disney Imagineering has long wanted to include the mysterious world of India into the parks. Even the aborted but much desired Westcot in California included the nation in its extensive plans. (Read more about it here- and see the concept art.) Looks like something better is coming soon. Stay posted. 2019's D23 could reveal more than we expected! If it doesn't, well, rest assured India is on the Disney executive's lines of sight!

(Top photo copyright The Walt Disney Company.)

Design Detail: Magic Kingdom's Splash Mountain

Disney theme park fans rightly rave about the amount of detail found in the parks. Until more recent years with Universal's Harry Potter expansion, this trademark seemed to be the domain of Walt's Imagineers. We fans hail the smallest pieces of design in Disneyland, the gorgeous Disneyland Paris, the astounding Animal Kingdom and the most hailed of all- Tokyo DisneySea. 

Today's sweet photograph comes from Cory Disbrow, a terrific fan and  MiceAge / Chat photographer that covers Walt Disney World. The resort 's Magic Kingdom is a place chockful of touches I am only beginning to see in my last trip, so I do not know if this one has been around for awhile or not.

A wanted poster for Splash Mountain's Brer Bear, found on a tree in the queue for the iconic Frontierland attraction. Never before noticed it! Did you? I've ridden the attraction dozens of times. It's one of my favorites in the park, but it's always been out of my sight.

Perhaps its the beautiful Fantasyland Forest that has made me look at the park with fresh eyes. The recent addition finally brought charm to what should have been filled with it from opening day. Yet, Fantasyland suffered from the lack of it, something akin to the first Imagineers not being able to give Disneyland's Tomorrowland its best due to the budget being blown. That expansion / enhancement, even though it did not bring a new "E Ticket" to that part of the park, did bring a beauty (and a beast!) never before seen. In effect, the new area made me look at the park in a new way. This is something great Imagineering work should always do.

Thank you, Imagineers, for stuffing the parks with all the eye candy! And thank you Cory, for being my eyes in Florida until I return myself someday soon.

(Photograph copyright Cory Disbrow.)

Disney Set to Ruin a Great Attraction

Months ago, when the "Spirit" at the terrific site WDWMagic told the story about Robert Iger and crew getting ready to overlay the classic Twilight Zone Tower of Terror with Guardians of the Galaxy in order to bring in Marvel, followers of Disney parks had a reason to be concerned. His track record for sharing the truth is absolutely impeccable. 

Miceage/Micechat "broke" the months old story yesterday, and the press finally took notice, taking it seriously. Would the Imagineers really be forced into transforming one of the last great original attractions? Looks like it.

If this isn't a money grab forsaking art, theme, and fan satisfaction, I do not know what is. But that is the state of the Walt Disney Company under the leadership of Robert Iger and his ilk. It's all about the money, nothing more. Look at the state of Walt Disney World compared to Tokyo Disney. That alone should say more than anyone in the Company wants to admit.

(Art copyright The Walt Disney Company.)

Beautiful Discovery Bay Art

Work moves ahead on the new Disneyland project, and like many of us, Shelly Valladolid aka Fab over at the MiceAge/Chat fondly recalls what could have been built in the Big Thunder Ranch area- the exquisite Discovery Bay.

The designs of Imagineer Tony Baxter have resulted in some of the most beloved and iconic attractions found in Disney theme parks. Truth is, his masterpiece, the unbuilt Discovery Bay for Disneyland deserves to be built somewhere. Anywhere. 

This beautiful piece of concept art shows what could have been. An original idea executed with brilliance and heart. A perfect thematic fit between Frontierland and Fantasyland. This blog contains other renderings that will make you wonder "What were they thinking when they cancelled this project?"

His work is everywhere. If you love the park in Paris', odds are you found Discoveryland a great blend of science fiction and whimsical fantasy a la Jules Verne. Thank Tony and his team. (Or the entire park as he led the project!) Do you find Big Thunder Mountain Railroad a must do every trip? I do. Thank Tony. Perhaps you still mourn the loss of the original Journey Into Imagination at EPCOT Center. Don't thank Toy for the loss, but do thank him for the creation of Dreamfinder and Figment, characters burned into the hearts of theme park fans worldwide. Indiana Jones Adventure, Splash Mountain, the original New Fantasyland at Disneyland- projects big and small. Tony.

So, Star Wars Land it is- and we will be wowed. Disney will not botch this one up. They cannot afford to. 

Even in retirement, Tony and his creations are hotly debated inside and outside the Walt Disney Company. One mark of genius. Think jealousy, envy, and old fashioned politics all within the company we love to talk about. I've taken a look at this debate in greater detail. Part One can be found here. And Part Two. 

The original piece thought to be Discovery Bay.

UPDATE: Although this was given to me as Discovery Bay, my friend Alain Littaye at Disney and More believes it to be Tokyo DisneySea. He may be right! I'll have to do some checking.

UPDATE #2: Alain's hunches are correct- Tokyo DisneySea, it is, so I have replaced the concept art.

(Art copyright The Walt Disney Company.)

Goodbye to Disneyland's Rivers of America

The team at MiceAge / Mice Chat crew of Dateline Disneyland led by Andy Castro has posted an absolutely right on assessment of what exactly will be lost when Disney reroutes the flow of the Rivers of America to make way for Star Wars Land. It's a deeply moving, insightful, and eloquent look at why this move may be profitable short term but why it's also full of holes, destroying intangibles so important in defining Walt Disney's Magic Kingdom. Trading profit now for bigger losses long term. Take a look and think about it all again. Includes a historic look backward at the river tour. Find it here.

(Photograph copyright Dateline Disneyland.)

Fixing Disneyland: My End of Year Wish List

The end is near. 2015 that is, and it's been a banner year for our favorite theme park, Disneyland. The 60th Anniversary brought us a new parade, new fireworks, and all kinds of additions from enhancements to Peter Pan's Flight to new Emporium windows. MiceAge / MiceChat has the best year round up I've read, but that's not what this post is about.

The old gal looks pretty good after all this time, but she still needs some help. "How to Fix Disneyland?" A good question with some darned good answers from this writer. Are you ready? Here's my land by land tour of additions and enhancements while the big construction starts.

Main Street U.S.A.: Since the Disneyland Railroad will be closed for quite awhile, place the most beautiful of the trains at the station, using the entire area as a meet and greet for Mickey himself. The rest of the land seems to be in the most complete state possible, so let's move on.

If Moana hits it big, tiki culture can have a greater presence in the park.

Adventureland: Let's begin by dumping all the plastic figures found in Tarzan's Treehouse. Build a new queue on the lowest level and incorporate a character meet and greet inside the kitchen. Guests can check out a face character Tarzan from above while they tour the loft home. Women get a little beefcake, and the crowds in the narrow passageway between two lands thin out just a bit.

Add a new scene for the world famous Jungle Cruise. Keep the folks queuing up. It's a Disneyland classic that does not get the respect it deserves.

For foodies, it's time for something new and crowd pleasing. The Magic Kingdom in Florida gets the Skipper's Canteen. Good for them. It's long overdue- Time to return the much loved Tahitian Terrace to Adventureland. Bringing instant night time rhythm to a fairly dark and exotic piece of the park, it ties in greatly with the Enchanted Tiki Room. In one bold step, it rids the land of the thematically ugly monstrosity of the Middle East desert next to a lush Polynesian paradise. Retro vibe, vintage Disneyland, and more  table service dining. Appeases long time fans and brings in new ones.

Tune up the opening day effects now missing from Indiana Jones Adventure. The culminate effect of so much lost is not quite the Disco Yeti of Animal Kingdom's Expedition Everest, but it is a strong statement of lack of care poured out on the park's last "E Ticket" attraction. Last up for Adventureland: Bring in some musical entertainment. The second story balconies can hold a small band, and it would liven up the area.

A scaled back River is coming.

Frontierland: January begins the end of the Rivers of America as we know it. In preparation for the misplaced Star Wars Land, the river is being circumcised so to speak to accommodate a brand new land being carved out of the backwoods, and once you do it, it cannot be reversed. (Yeah, I'm in a feisty mood, aren't I?) The Disneyland Railroad is being rerouted as well. Watercraft plying the course will come to a halt for at least a year as all the work is done. (A special note: Wouldn't it be nice if the Imagineers were planning the train track to route through a re-worked slice of Rainbow Caverns and even past an outdoor geyser or two?)

The question will be how to bring life into Frontierland beyond Big Thunder Mountain Railroad. Let's begin by an encore performance of the original show for the Golden Horseshoe and offer a sit down restaurant experience in the evening, compete with a western style menu. Bring back the can can and the comedian with a fast-paced production that honors the past by its highlights while bringing in some new talent. 

Outside, add in some street characters. At opening, Disneyland featured a pair of gunslingers, sheriff and outlaw. The show climaxed with the pair duking it out on the second level of the Horseshoe. It was a crowd pleaser and a great photo opportunity for guests young and old. Imagineering could even use some "misfires" to create some special effects that go off during the show, making it a living Shootin' Gallery of sorts.

With the current acreage, there's really not any room for a bigger  attraction, but a small museum type exhibit could be put into the arcade area. It's the small touches that make and keep Disneyland charming. 

Walt had a good head for what pleased Disneyland guests.

New Orleans Square: A bit of sacrilege here. Close Pirates of the Caribbean now a few days midweek to install some additions and enhancements for its 50th Anniversary in 2017. You know that both the money hungry suits and the creatively inspired Imagineers are thinking about doing something to honor its achievement  It is the premier granddaddy attraction of the park, and its' time to bring it back to top form all the while surprising guests with something new to celebrate. Just make sure its some unused concepts by Marc Davis and not something from the movies.

Remember that old unused courtyard that's got that awful teal and purple scheme? Turn it into a character meet and greet with Tiana and friends. 

Critter Country: Even though some amount of construction will be needed to connect the land to the new Star Wars Land, the rest of the land should stay relatively open to guests. There's more than just Pooh here, so make the most of it. Fill the place with forest characters as well as the Country Bears. A little hillbilly music would be good, too.

Fantasyland: Unlike the younger parks, there's no dining options in Sleeping Beauty Castle. Make the most of it. Put some work in behind the scenes, and use the old Skyway building as an entrance to a beautiful and remote fondue restaurant that overlooks the graceful gardens of the Storybookland Canal Boats. Instant win as it reuses a very important piece of the park's history and provides a tranquil setting for a meal far from the crowds. There's enough dedicated old timers that would enjoy the opportunity. Throw in a clock shop or even a cooking store to please the retail crowd, and it's a clear win-win for everyone.

Is it just me or is Disney missing a prime opportunity to use the old Motor Boat Cruise area for a temporary Frozen mini land? Bring over everything from California Adventure and place it under the shadows of the mighty Matterhorn. Sure, Arendelle is not in Switzerland, but it works much better here than in any other place. 

It's only temporary anyway. 

Mickey's Toontown: Until this is replaced by Frozen, let's fill the place with characters that are not tied to a single location. Fix that Jolly Trolley. Add a mini hedge maze. Give guests a gag-filled Toontown quick service location so that the nearby Fantasyland eateries are not entirely swamped at lunch. 

... but it's a sleeper at Disneyland.

Tomorrowland: Let's be honest, Season of the Force is a mixed bag. And that is being very gracious. Re-Imagine the carousel theater museum, and make the experience what it was advertised to be. 

Outside those walls, let's bring some real energy to the futuristic area, starting with an astronaut with a working jet pack- or even the Rocketeer- if you have to tie in a Disney film. Place the Rocket Jets/Astro Orbitor/whatever its become back to the top of the launchpad. Bring in Wall-E to greet guests, perhaps even Baymax, this family's favorite robot by a long shot.

Tomorrowland is Disneyland's embarrassment compared to what it was in decades past. It is time for a full remodel, but I'm not sure anyone can really figure out what to do with it. Maybe Star Tours will move with the new land, and the entire entrance can be reworked. It's certainly the toughest problem to tackle. Disney has proven they can do fantasy well but can no longer take us to a real, science based future. Just look at Future World at Epcot.

There you have it. My ideas for fixing Disneyland. What are yours?

(Images copyright The Walt Disney Company/Lucas Films.)