Just Released: New Park Map for Disney Adventure World in Paris

It didn't take a genius to figure out Walt Disney Studios Paris was going to be an absolute bomb at opening. And I don't mean that in a good way. Disney California Adventure 1.0 looks like an Imagineering masterpiece in comparison. But that's all about to change! The new Disney Adventure World continues to come to life. The Parisian crew released this brand new map showing the layout and the compelling attractions that will part of the re-envisioning. 

Frozen Ever After will put Epcot's version to shame. The Lion King river adventure in the model of Splash Mountain is set to have ground break by the end of the year. Perhaps most importantly, the entire park is getting refreshed and given a new lake, beautiful gardens and dining spots, and a full on night time show. It should be beautiful!

(Map copyright The Walt Disney Company, courtesy the Main Street News.)

New Concept Art For Disney Adventure World in Paris

As the Walt Disney Studios Paris transforms into the new Disney Adventure World , the recently announced addition of a whole area based on the Lion King, Pride Lands, seems no more out of place than a land dedicated to Frozen. 

The park needed a new identity and seems to have found one based on Islands of Adventure's layout. I must say, though, the land looks wonderful and more akin to something you'd find in Disney's Animal Kingdom. Gives me hope for this place that was once the worst of all Disney parks.

Speaking of ugly parks, with the addition of Pandora / Avatar, will the still underdeveloped California Adventure get a new name, too?)

Details on The Walt Disney Studios Paris Expansion

Here it is- a very detailed look at the expansion plan for Walt Disney Studios Paris. There's been lots of speculation about what would join the Frozen themed land and its clone of Epcot's popular Frozen Ever After.  As you can see for yourself, one of the largest lots is used for a Lion King themed land and one for Avatar. While I understand the need to re-use some expensive, existing Imagineering work, I'm more excited about Simba and friends coming to the second gate in Paris.

Disneyland Paris is the most beautiful castle park in the world. Will the Studios ever compete? No, they just can't with its awkward layout and scattered themes. But it can become a pretty good companion park- and right now, it is the bottom of the barrel of all the Disney parks in the world. Avengers Campus is a good beginning, but it's just not enough.

(Image from Passport Wonderland.)

Harmonious is an Elegant Disaster

How can the words elegant and disaster be used to describe a single presentation? Well, when it comes to EPCOT's brand new nighttime show Harmonious, it's an apt description. There were big shoes to fill, and the Imagineering design team went over the top to satisfy guests. 

It was at once a charming multi-cultural experience with an ugly underbelly. Taking mostly well known songs from Disney films, the expectations were turned upside down as each was presented in the native languages represented by the cultures in the source material. From Moana to Coco, Lion King to Mulan, and just about everything in between, the music swelled and the vocal performances excelled. It was lovely and rich while presenting the now expected new century focus on self-discovery. There's no connective tissue, however, leaving it an odd "Greatest Hits" feel.

Where did the show fail? Where was it a disaster? Largely, the misfires were in the use and form of the large metal barges and humongous, just monstrous, ugly metal center ring. The swinging arms added little to the presentation. The projected video elements seemed almost unnecessary. For a generation glued to screens, it was a necessity, but they certainly came at a cost.

Harmonious is a show worth watching. The large tapestry of nations represented is fitting to World Showcase (and whatever world you happen to be in while at the park). The international flare has its charms, even if little use was made of the architecture of the national pavilions.

The goodbye exhortation by a young woman who seemed much too emotionally young to have real wisdom was odd at best. The overall lighting and fireworks were quite nice- but for all its strengths, none of the show- not a single bit- came close to being worth the dismantling of what was once a beautiful day or night time view of the most lovely of Disney parks.  

That, my friends is absolutely unforgivable and is the disaster part of the Harmonious equation.

The official Disney video of the show:

The Betrayal of Frozen

The success of Disney's Frozen comes as a surprise to me. I saw it opening day, and I enjoyed it quite a bit. The story held together pretty well. The animators created a beautiful landscape and incredible village begging for a full-size replication. Yet, I did not see the movie as equivalent to the Disney classics such as Beauty and the Beast and The Little Mermaid. The music was largely ordinary. Even the "it" song, Let It Go, rang hollow and leaving the theater meant not being able to remember a single melody. But the story was strong, the animation beautiful. Expecting it to have a good run, I put the film in the back of my mind.

Then, the box office numbers continued to build week after week. Talk continued. "Great film, instant animated classic, huge moneymaker." Attractions planned, meets and greets with four hour waits, parade floats, and even talk of a sequel. What was I missing? Eventually, I decided to see it once again. 

The opening symphony of voices reminded me more of The Lion King than I remembered- it felt a bit bloated and self-grandising. Not a good start. Once the noise died down and the story began, I found it more appealing, if not redundant to Disney princess stories of the past: girl longs, girl meets boy, trouble ensues, happily ever after. 

It was in the second viewing, once I knew the story and watched for the clues, that the power of the film took hold. At its heart, Frozen, is the story of betrayal... and the triumph of love. Aren't the most powerful of stories the ones that include this angle? (Including the most famous one of all- The Son of God being betrayed and crucified for our sins. Him choosing to forgive us in spite of it. If that isn't the triumph of love over betrayal, I do not know what would be. But back to the film...)

Betrayal touches at the heart of the human experience. Every person lives through betrayal at one point or another. Some grow bitter, some thrive through it, and others find forgiveness for the person who wronged them. The act of forgiveness takes time- and it does not necessarily include reengaging in relationship. Would anyone but a fool counsel a beaten wife to return to her abuser? Should a molested child be forced to have a relationship with that deviate uncle? Of course not! Yet forgiveness must be worked through for the benefit of the one wounded. 

In the film, Anna and Elsa work through their very real issues. Anna doesn't understand the motives behind her sister's rejection and presses her for understanding. Elsa responses defensively, then in anger. Eventually owning her anger and making it a motivation for how she lives her life, she continues in this mode to near disastrous results. Thankfully -and every princess story must have a romantic angle- after a false start filled with manipulation, love steps in, real love. Revealing what's truly inside her, Anna saves the day and the relationship between the siblings is brought back to solid ground.

Now I understand why repeated viewings have built such a loyal audience. The story is unconventional and gripping. The central  characters are far more complex than we expect. The plots twists shock us. (In fact, I heard a very audible gasp from several viewers when darker secrets are revealed in the film.) There's no gap or weak point in the flow of the film. The beauty of the landscapes and settings hold their own with other eras of Disney greatness. The songs... well, they remain good but are still subpar to previous beloved hits. In fact, the movie may have been even more powerful if it were not a musical. Darker, perhaps, but more effective.

Whatever Disney does with the success of Frozen has yet to be fully seen. Revamp Epcot's under kept Maelstrom?  Finally use that trackless technology for a wild sleigh ride through the icy roads of Scandinavia to tell the story? The expected meet and greet whose queue never ends? Disney will keep its pulse on the popularity of its latest achievement- and families everywhere have a new tool in which to tell an important story.

(Art copyright The Walt Disney Company.)

A Frozen Epcot and the Three Caballeros

The talk around the Disney World regarding the pending transformation of Norway's Maelstrom attraction to one celebrating the movie Frozen has me thinking a lot about what EPCOT Center used to be. It's now been so long since the whole premise of the park has changed that a new generation of Disney parks fans may not really know what was intended- or what they have lost- by never personally experiencing the park which opened in 1982.

The cartooning of Epcot has been slow and steady. Perhaps it came from desperation, trying to be more things to more people while attendance dropped. Or maybe those in charge lost faith in the excellence (and marketing strength) of their original product. Regardless, bringing in the characters seemed to be a way to save the day. Be it adding Nemo to the Living Seas or Simba to The Land, the increase has been deliberate and sly. Mostly under the radar to not upset older fans (and those with the disposable income) who were accustomed to the elegance of Disney's version of a World's Fair. Even Martin Short's invasion of the Canada Showcase could be argued as a cartooning of sorts. Ellen DeGeneres being added to Universe of Energy is another example of a move away from the park's original  integrity and intent.

The ultimate bastardization of World Showcase came much earlier than those changes to Future World. When the Mexico Showcase dismissed the lovely El Rio del Tiempo and accepted the newer Gran Fiesta Tour with the Three Caballeros, the dumbing down of the pavilion and the cheapening of the rich Mexican culture began. Gone were the riveting Aztec dancers. In its place, Donald Duck and friends became the centerpiece. The transformation was done so quickly and so cheaply that the Disney Suits couldn't even pony up the cash to reward riders with a finale that brought Audio-Animatronics of the three stars. I guess digging them out of storage or making new casts from their use in the Mickey Mouse Musical Revue was out of the question! 

The new mandate of synergy must have felt ugly to any remaining Imagineers who remember the heart and soul put into there work during the park's creation. Imagine their hard work in examining history and the tales and lore of other cultures. Imagine the thrill to educate guests in an entirely new way, to place their stamp on arguably Disney's most nuanced theme park. The loss must have been deeply felt and very disappointing. Oddly, in an effort to keep the park fresh and interesting, the powers that be have transformed Epcot from something timeless to almost instantly dated as time goes on. Well, at least now you never forget you are in a Disney park. Of course, its also more difficult to imagine you are now in another time and place.

For younger guests now visiting the park, Epcot is still a place of discovery, but it is now an odd mix of thrill rides, Disney animation stars (to mixed results), and an opportunity to drink around the World. How different it was, yes, "back in the day"- but oh, how much more rewarding and rich!

(Afterthought: Frozen really belongs in the Magic Kingdom- and in the New Fantasyland, giving guests a real E Ticket reason to go there. Imagine the famous trackless system in Tokyo put to great use! And the potential of a fantastic Christmas overlay to the ride!)


(Art copyright The Walt Disney Company.)

Oh, Roger!

From various news sources, Disney producer Don Hahn (Lion King, Beauty and the Beast, the very sadly overlooked Atlantis, Emporer's New Groove) reports Roger Rabbit 2 is finally on the way! One of the best and most creative Disney properties is finally given a new lease on life years after its 1988 release. Cannot wait- and bring on all those imagined but never built attractions at Disney's Hollywood Studios!

Dark Skies in a Downgraded Animal Kingdom

The most difficult part of this trip report is not avoiding the issue and saying what I need to say right from the start. I love Animal Kingdom- but I was totally bored and ready to leave the park by 2:15pm! If it's your favorite theme park at Walt Disney World, please read on and give my appraisal a fair shake before you judge me...

After a great two days, one at Epcot, one at Magic Kingdom (and one at Disney's Hollywood Studios yet to come), my wife and I were ready for a third great day- at Disney's Animal Kingdom. It's a spectacularly beautiful park, unique in many ways. (Cruise my blog for my "True Life Adventure" on the creation and evolution of this park. It's a multi part series.) This visit, it was the only park we got up early for. That should say much.

We hopped on the first bus of the day. I was feeling an adrenaline rush just thinking of riding Expedition Everest. I couldn't wait. I was also anxious to show my wife this park in a relaxed and unhurried manner.

Arriving in the parking lot, the sky was quite gray and the day felt "heavy". Walking through the gates into the park, it seemed as all was very quiet. The animals were still, and I couldn't hear (or see) any of the birds- only the sound of the small waterfall just past the entrance. This gave a very different first impression to what the day would be like. Misty, overcast, somewhat mysterious.

Wandering the Oasis and taking in the lush gardens at a leisurely pace, we eventually came upon the Tree of Life. What a magnificent piece of art! To this day and after many visits, the sight of it brings the same sense of awe as Cinderella Castle or Spaceship Earth. Very different from the emotions evoked by sight of the giant Sorcerer's Hat! Stopped for a few moments and took it in, but turned right towards Dinoland U.S.A. and heading toward Everest passing by the theater for Nemo.

Fastpasses in hand for the best thrill experience on the Walt Disney World property, it was time for a bit of morning coffee as we had skipped out on the excellent brew in our room at Port Orleans Riverside. The Anandapur Tea Company was calling! But what a mistake it turned out to be. After a twenty minute wait, due to one employee working the stand, our very tasteless lattes were in hand. Thanks to my wife's willingness to wait, I was able to photograph much of Asia with very few people around.

The new area surrounding and encompassing the Yak and Yeti restaurant was filled with detail and color. I heard new sounds and intriguing music. Immediately, I felt as if I was somewhere else than Central Florida. Well done, Imagineers! Surprising and unexpected.

Checking the daily schedule, we saw the Nemo musical was set to begin in a bit. Our stroll took us past Everest- I couldn't wait!- and into the Theater in the Wild. The exterior is strangely unthemed. Just a big box, seemingly thrown up quickly. Puts the phrase "Thinking outside the box" into a whole new light. It does not fit in with the exquisite detail of Asia or the quirkiness of Dinoland. It is truly a building in limbo. Unfortunately, it took me right back into a theme park, reminding me Disney does cut budgets and/or forgets what makes this park such a rich experience.

The rich experience was to be found inside the theater. What a show this is! Some folks seem to have a problem that a non-musical film was given the gift of song, but I am not one of them. The actors/puppeteers perform with grace and dignity, the sets are stunning, the special effects well used, and the songs are worthy additions to the Disney repertoire. My wife had not seen the show before and was surprised by the extremely high quality for a theme park production. (She has not seen Aladdin at California Adventure- or even been to that park for that matter.) Due to the nature of the show and its wonderful execution, it is a production that pleases adults as well as children.

We exited the theater to a still overcast day. I cannot overestate how this changes the feel of the park. The gray skies add a dullness to the park that the brilliant colors and textures cannot compensate for. This is very different than a cloudy day in Epcot or the Magic Kingdom. It was, however, a plus when taking an excursion to the Himalayas!

Traveling up the lift hill, the cloudy skies and cooler temperatures increased the realism factor of the attraction. Was there snow up there? The mist effect at the top of the mountain, which was working on my very first trip, was not on. The eagle/bird effect was off as was one of the waterfalls. The yeti was in "B" mode, but regardless, the ride rocks! Don't get me wrong; I am not letting Disney off the hook for allowing so many details fall apart. I am saying that so many details were layered on in the first place that exploring Everest is still an immersive and exhilarating experience.

Our second set of Fastpasses announced it was time for our safari through Africa. When we had come by earlier to get the tickets, the standby line was already past an hour. This was very shortly after park opening. Herein lies one of the failings of this gorgeous park: there are too few attractions, headliners or otherwise. Yes, Everest has succeeded in bringing in the crowds as has Nemo, but there is little of the smaller attractions to fill in the day. It took me three visits here within three years to see the problem.

A quick ten minute wait and we were on our way through the landscapes of Africa. Our driver, unfortunately, was no longer a native from the "Dark Continent", but someone from the states, New Jersey, I would guess from his accent. Much like Epcot's World Showcase, here at Animal Kingdom, encounters with the people of the lands they represent are an important part of the experience. Our guide's stateside accent wasn't as much a problem as his manic attitude. His style had turned the premier attraction of Disney's Animal Kingdom into a landlocked version of the Magic Kingdom's Jungle Cruise. Bluntly, he destroyed the dignity of the incredible presentation. Combined with very few animals to be seen and a cast member roaming about the savannah, it was a disappointing journey. It was a long twenty minutes.

A redeeming factor came as we exited. The gorillas of the trail were out and about due to the cooler weather. Three of these amazing creations of God were out wandering right in front of us. As I was switching camera batteries, one male smacked the other hard on the head, attempting to prove or show dominance to the third, a female. In one respect, it was quite humorous and captivating. We stood and watched and waited. Eventually nothing more happened, so we left the area. This was the most animal activity we saw all day.

Thankfully, browsing through the shops of Africa was still a pleasant experience, one free of Disney plush and High School Musical merchandise. (It was not this way in the shops of Discovery Island, however.) Does Disney realize how much having authentic and handcrafted goods adds to the overall day? Probably not, as almost everywhere we went, the merchandise was the same. In fact, the only purchase I made throughout the entire trip were batteries and an additional memory card for my camera! For someone used to dropping money for unique Disney momentos, this was unfortunate. Again, I had saved money to burn for this reason, but nothing of interest was to be found.

As we continued through Harambe, we stopped and sat at the patio tables inside a small courtyard. Our preference would have been a snack at the wonderful Tusker House, but now it is just another character meal location. We could hear the drumming sounds of the African band outside. Eventually, we wandered past them, but it seemed that right across the street was a Jungle Book themed meet and greet! This obvious displacement stripped the sense of disbelief from the complex and convincing environment. It's a poor and desperate choice on the part of park management to shove characters all throughout the park be it in attractions or streetside. At least Nemo took place indoors!

At this point, it was time for our lunch at Yak and Yeti. It is a beautifully detailed restaurant with good but very pricy food! For $75, we had an appetizer, our entrees and drinks. Not even dessert. It was a nice splurge for just the two of us, but we will not return. Our server was great and taking time to regroup is always necessary at some point, but Yak and Yeti is ultimately disappointing, just another one time Disney dining experience to cross off our list.

I looked about and thought of what we should do next. Getting wet on a cool day was not our idea of fun, so Kali River Rapids was out. That left Dinoland as an unexplored possibility. We are not big fans of Dinoland overall, but the idea of it clearly belongs here. Countdown to Extinction, I mean, Dinosaur, is a pretty good attraction, but Dinorama should be ripped out of the park in our not-always-so-humble opinion. We chose to head that way.

My wife instinctively sensed my disappointment in how the day was going. She suggested I take in the single rider line for another journey up the Forbidden Mountain before we continued to Dinoland. That did the trick. I was temporarily refreshed and enthused as I exited the station. It didn't last, however.

The sight of the very (intentionally or not) tacky Chester's and Hester's reminded me of the ugly and cheap Paradise Pier 1.0 at California Adventure. Ugh! I sat on a bench and looked around. I tried to like it, I really did. But I'd have to lie to myself to make this happen. Even the poorly laid out Disney's Hollywood Studios doesn't have an area this ugly or misplaced. On to Dinoland's centerpiece attraction.

Another walk on attraction. I have very mixed feelings about the ride. It should be exciting, but ultimately, for me, it is just loud, dark, and scary. Once you journey past the wonderful museum part of the queue and climb aboard your Time Rover, there is not a sense of truly being anywhere. Rather, the attraction is just a series of vignettes through a jungle while you encounter dinosaurs one at a time. The rare piece of concept art from Alain Littaye's great Disney and More blog (below) would have really given the rider a sense of place and story. Skipping it was another shortsighted decision. Yet, I was determined to ride this attraction as I didn't want to not ride it. After all, it is one of Animal Kingdom's few attractions where there is some sort of transportation involved.

I tried something new. I got aboard the troop transport/time rover- Indy is a far better use of this amazing technology- and covered my ears to diminish the impact of the sound on the journey and save my nerves. Try it sometime- especially you Orlando locals who go to the park often. It is an entirely new experience. In essence, the carnataur loses his bite, and the fright factor goes down considerably. This may be the answer for the young children who are scared to ride and the parents who are adament that they do! Unfortunately, covering your ears also reveals the shortcomings of the show and brings Disney's reliance on "spook house" carnival effects to the forefront. In hindsight, I cannot determine whether I was glad I did this or not. Although I have limited memory of my first prehistoric journey in 1999, I think many of the effects were also not in working order. The flying pteradactyl didn't, and the astreroid shower did not seem to happen either. I am sure I missed something else, but overall, something I couldn't quite place was missing.

We left Dinoland to go to Camp Minnie-Mickey. We were now heading against the current of guests who were intent on exiting the park. It was only slightly after three!

Due to the walk on status of It's Tough to Be a Bug!, we took an unexpected detour. Having just seen the show at California Adventure, I was still in awe of the highly detailed queue around the Tree of Life. The film was still fun but now predictable after five or so viewings between the two parks. How I wish the Imagineers would have been given the cash and permission to instead put a truly magnificent attraction here instead of another 3D film!

Now it was time for Camp Minnie-Mickey. I wasn't in the mood for the Lion King celebration but I wanted to see if Pocahontas' theater had construction going on around it. Navigation between lands is not easy here, but we finally arrived. Any construction? In short, not from what I could see. The camp reminded me of Disneyland's old Bear Country. It was quite pretty and could be the site of something really good, but it fell flat and was very lifeless. Yet what on earth was Stitch doing here!?! Please, Disney, get over your love affair with this annoying character! I digress.

To beat a very dead horse, the Imagineer's aborted Beastly Kingdom would be wonderful here. In short, the park needs an infusion of attractions and a bit more artistic variety. Whatever the plans are, they need to add a freshness to the lay of the land.

We turned around and walked through Africa one more time. As I surveyed the area, I took in the detail. Very, very nice. Crowds were also leaving Africa, and going against the flow, we walked by the safari. No line at all. We queued right onto our vehicle with merely three people ahead of us.

Our guide was slightly better this time, but certainly no where near the quality of the first group from ten years ago. Much calmer, her demeanor was just the right element for a still overcast late afternoon safari. A few more animals were out- including a lion taking top spot on the famed Lion King rock.

Walking out from Africa, my wife tempted me with one more trip on Everest, but I was through. I could tell by her face that I was not alone in my decision to leave the park. We took the back paths around the Tree and wove our way in and out until we hit Animal Kingdom's hub. We walked toward the exit, and I turned back for one last look. For the first time, all I saw was a tree.

In my opinion, and highlighted by this trip, Animal Kingdom suffers from a sense of sameness in much of the park. Embarrassed to say, but as cheap, shameful and ugly as it is, Dinorama does offer some variety.

Another problem is created when the animals are not plentiful. When this occurs, like the day of our visit, the park deficits are really exposed. Demanding the animals to carry the show creates a problem because they are unpredictable. On a normal day, this factor creates variety. On a bad day, it really subtracts from the enjoyment of the park.

My conclusion: It seems as if Disney is letting this park stagnate, relying on character meals, character additions, and character meet and greets to make up for a lack of newer attractions and true creativity. What is there is mostly good, but it is not enough. My wife said it best, "Next visit, I'd skip Animal Kingdom." Sadly, I had to agree.

(Photos copyright Mark Taft. Concept art copyright The Walt Disney Company.)

Beastly Transformation

Hidden among the book, Disney Dossiers, are all kinds of little gems. But you have to look good to find them! Here's an unused character concept for the main character from Beauty and the Beast, and he appears to be the more French cousin of Rafiki from the Lion King!

(Art copyright The Walt Disney Company.)