Charlie Puth Grows Up- and He Makes His Best Album Ever

Charlie Puth is far from washed up! Those who thought he lost his edge, his talent, his marketability are dead wrong. Whatever's Clever! may be the best thing he's ever put out. By placing his instantly recognizable vocals against a backdrop of bright piano playing and arrangements that can remind you of the best of Phil Collins and the decades before him for that matter, Puth has created a winning collection that will gain him new fans and reclaim those lost. 

From the bright glistening Changes to the biting but beautiful Don't Meet Your Heroes and beyond, no punches are pulled. There's a new man on the scene and he says exactly what's on his mind without losing his pop sensibilities and his ear for a great melody. Not a single selection on the album feels like it's a throwaway cut. The upbeat but lyrically unexpected Washed Up includes some Herb Alpert style horns to good effect. One particular collaboration, Sideways with Coco Jones, pops and sizzles along. The last 30 seconds or so, the whole production of slides into a sophisticated wind down with a Motown feel- and it works so very well. Just gorgeous. 

Michael McDonald and Kenny Loggins join Charlie on Love in Exile for a sure to be hit single. Until It Happens to You pops with a spoken vocal by Jeff Goldblum with the Mildred Snitzer Orchestra providing the swing. Kenny G is also around proving once more the old guys can still mix it up. On the other end of the age spectrum, there's Hikaru Utada and Ravyn Lenae each bringing their own style and charm to the disc.

Puth pokes hard at himself in I Used to Be Cringe. But the last laugh is on everyone else. He's made an album that he wanted to make. Charlie has grown up, and his new album's a keeper!

Top 10 Quincy Jones- The Musical Genius' Top Ten, My Favorite Cuts

The legendary musician and producer Quincy Jones is gone. I'd been compiling a Top Ten list of my favorite pop /rock /jazz records he'd produced, knowing this day was coming. It did yesterday. The musical world will not be the same. Everyone is in mourning. There's not much written about any faith or spiritual involvement, but I pray Quincy knew Jesus.

I'll eventually detail each one more and more, but for now, here are my favorite cuts from various artists during different stages of his career:

One Hundred Ways- James Ingram. This ultra romantic tune is one of our favorites! I remember hearing it on our honeymoon at the beautiful restaurant The Sun And in the Bahamas. We were celebrating our one week anniversary. The was 42 years ago. The restaurant is now long gone, but the record (and the marriage) live on. God is good!

Don't Stop Til You Get Enough- Michael Jackson. My favorite MJ song from my favorite Michael album, Off the Wall. Years later, I'd come to know that the title song and Rock With You were offered to Karen Carpenter. The Rod Temperton penned tunes became mega hits for the former Jackson5 lead singer. The first of many, many more to come... including hits he did for Disneyland's iconic Captain Eo attraction. We are Here to Change the World- and he did.

Mystery of Love- Donna Summer.  An incredibly compelling cut, perhaps one of the most unexpected on the whole album. The Donna Summer album is a great one and its story is fascinating. (I've detailed it in a deep dive article here.) This almost duet with James Ingram is pure pop perfection from start to finish, and I find it on perpetual repeat every time I play it. Oh, the mystery of love indeed!

Do Nothin' Til You Hear From Me- Phil Collins. Who knew Phil has this in him? The jazzy standard takes on a whole new feel for Mr. Collins, who rocks it like he was born to sing in this era. I so wish Phil had done an entire collection of songs like this with Quincy. Do not miss this one! It's a joy from start to finish.

Thriller- Michael Jackson. Epic release. Seemingly millions upon millions of writers have composed scores of print on this one. We all know how great the album is and why. Let's leave it at that.

The Woman in Me- Donna Summer. A song so good that the Wilson sisters of Heart had to do their own rock cover years later. Richard Carpenter's songwriting partner John Bettis crafted lyrics so strong that you'd swear they were written by a woman. But of course he could do that- he'd been penning lyrics for Karen Carpenter for years, making it sound as if she'd written them herself- songs seeming quite autobiographical. Donna's hit is vulnerable, intimate, and disarming. This one is also from the Quincy produced Donna Summer album.

Give Me the Night- George Benson. Next two cuts on the list are from Q's work with my "favorite vocalist who also can rock the guitar". The one and only George Benson. The who album is Nate night radio at its best. More Rod Temperton penned hits produced elegantly and combined with George's unique take created a career propelling smash. 

Turn Out the Lamplight- George Benson. One of the sultriest records George has ever made. This is Teddy Pendergrass territory- and George shows he pulls it off quite well. Another Rod Tempterton tune.

Just Once- James Ingram. Perhaps the solo record that made James a household name. This record has it all: great vocals, a memorable lyric line and music that transcends genres. A brilliant recording.

Is It Love That We're Missing- Gloria Estefan. You can place Gloria in about any setting and she would shine. This one song is no exception, only making me wish that Mr. Jones would have produced an entire album by the beloved Cuban superstar.

Music That Rocks- And Doesn't

Like live music? Me, too! And I've seen some great and some horrible concerts in my time. Here's a quick recap:

Queen- 1977 Tour, Los Angeles. The band was tight, and Freddie Mercury sounded as great live as in the studio. Smoking version of the classic Jail House Rock as finale. One of my favorite concerts ever.

Four Tops/ Freda Payne- 1977 or so, Las Vegas. Great Motown night!

Peter Frampton- Also about 1977. One hour acoustic, one hour electric. Premiered Signed, Sealed, Delivered. My favorite Frampton cut to this day. Just before the release of the "I'm In You" album.

Carpenters- 1976, 1977, and 1978, Las Vegas. As my friends in UK would say "Brilliant". Karen sounded great. Met she and Richard back stage in 1976. Very nice people and wonderful musicians. Karen was just so warm. Richard surrounded by a group of hot blondes. The bad press they got for their music was unjustified.

Kenny Rogers/Crystal Gayle- About 1986, Orange County, CA. Both in top form.

Marilyn McCoo- About 1990, Denver. With an orchestra. Lovely. Her generation's Whitney Houston before Whitney's downslide.

Amy Grant / Gary Chapman- 1995, Denver. With the kids. Gary was a great musician. Amy was not bad on the guitar, and she was very friendly and relaxed with the audience. Vocally very strong, stronger than I expected. House of Love was great. Nice job, Amy.

Olivia Newton-John- 1982, Los Angeles and 1997 Denver. Way better live than you'd expect. Special thanks to my wife for both concert's tickets. She's not threatened one iota! 

Sting- 2011, Denver. At Red Rocks with orchestra. Father's Day gift from the kids. JUST INCREDIBLE.

BAD Concerts- Led Zeppelin- Robert Plant and crew too stoned to play or sing well. Waste of money.
Genesis- Bad sound. Pre- Phil Collins on vocals.

On the i-pod

All these tunes appeared "randomly" on my player. Each are excellent in their own unique way...

Phil Collins w/ Quincy Jones- Do Nothin' Till You Hear From Me

Boz Scaggs- Lowdown

Boney James- Grazing in the Grass

Candice Glover- You've Changed

Blondie- Rapture

Chaka Khan- Through the Fire

Iron Man Soundtrack- Make Way for the Future

Best Motown Remakes

After talking about the best Beatles' remakes, let's turn the tables and talk about the best Motown remakes. This label defined the 60s, and their songs started my love for music. There were plenty as artists of all types mined gold from the Detroit label's catalogue. Now, my top five, in no particular order...

1. "More Love" - This Kim Carnes hit covered Smokey Robinson's original smash. The perfect match of song and artist, as her gravelly voice and inspired arrangement produced a major hit in 1980. As convincing a performance as her later hit "Bette Davis Eyes".
2. "You Can't Hurry Love" - Phil Collins. Don't get me wrong: I love the original by the Supremes. But Phil's version brings great snap to this old favorite. Plain old fun. Great backing vocals and a typically hot rhythm track. From 1982.
3. "How Sweet It Is To Be Loved By You" - Another James Taylor megahit, one that defined 1975 and my summer pleasures. The definitive version of the song.
4. "Signed, Sealed, Delivered" - During the "Frampton Comes Alive" tour, I ate up every note the man played. He split his set into two halves, an acoustic first half, and an electric second. This Stevie Wonder classic was his closing encore. It was so good, I turned to my friend and said, "This would make a great single!" And it was- from the 1977 album "I'm In You".

Maybe I need more than five remakes! " Heatwave" and "Tracks of My Tears" by Linda Ronstadt are two of my favorites. But then again, the playful "Please Mr. Postman" by the Carpenters sounded so fresh to me that I didn't even realize it was Karen singing the lead at first listen! David Bowie and Mick Jagger swung to "Dancing in the Street" while Toni Tennille belted out a new take on "Shop Around". Lastly, could Michael McDonald's "I Heard it Through the Grapevine" be any better? Not in my book! And as they say "The hits just keep on comin'!" at least as long as artists discover what a treasure chest of classics sit in the Motown vault. Thanks, Berry Gordy, for starting an American institution.