The legendary musician and producer Quincy Jones is gone. I'd been compiling a Top Ten list of my favorite pop /rock /jazz records he'd produced, knowing this day was coming. It did yesterday. The musical world will not be the same. Everyone is in mourning. There's not much written about any faith or spiritual involvement, but I pray Quincy knew Jesus.
I'll eventually detail each one more and more, but for now, here are my favorite cuts from various artists during different stages of his career:
One Hundred Ways- James Ingram. This ultra romantic tune is one of our favorites! I remember hearing it on our honeymoon at the beautiful restaurant The Sun And in the Bahamas. We were celebrating our one week anniversary. The was 42 years ago. The restaurant is now long gone, but the record (and the marriage) live on. God is good!
Don't Stop Til You Get Enough- Michael Jackson. My favorite MJ song from my favorite Michael album, Off the Wall. Years later, I'd come to know that the title song and Rock With You were offered to Karen Carpenter. The Rod Temperton penned tunes became mega hits for the former Jackson5 lead singer. The first of many, many more to come... including hits he did for Disneyland's iconic Captain Eo attraction. We are Here to Change the World- and he did.
Mystery of Love- Donna Summer. An incredibly compelling cut, perhaps one of the most unexpected on the whole album. The Donna Summer album is a great one and its story is fascinating. (I've detailed it in a deep dive article here.) This almost duet with James Ingram is pure pop perfection from start to finish, and I find it on perpetual repeat every time I play it. Oh, the mystery of love indeed!
Do Nothin' Til You Hear From Me- Phil Collins. Who knew Phil has this in him? The jazzy standard takes on a whole new feel for Mr. Collins, who rocks it like he was born to sing in this era. I so wish Phil had done an entire collection of songs like this with Quincy. Do not miss this one! It's a joy from start to finish.
Thriller- Michael Jackson. Epic release. Seemingly millions upon millions of writers have composed scores of print on this one. We all know how great the album is and why. Let's leave it at that.
The Woman in Me- Donna Summer. A song so good that the Wilson sisters of Heart had to do their own rock cover years later. Richard Carpenter's songwriting partner John Bettis crafted lyrics so strong that you'd swear they were written by a woman. But of course he could do that- he'd been penning lyrics for Karen Carpenter for years, making it sound as if she'd written them herself- songs seeming quite autobiographical. Donna's hit is vulnerable, intimate, and disarming. This one is also from the Quincy produced Donna Summer album.
Give Me the Night- George Benson. Next two cuts on the list are from Q's work with my "favorite vocalist who also can rock the guitar". The one and only George Benson. The who album is Nate night radio at its best. More Rod Temperton penned hits produced elegantly and combined with George's unique take created a career propelling smash.
Turn Out the Lamplight- George Benson. One of the sultriest records George has ever made. This is Teddy Pendergrass territory- and George shows he pulls it off quite well. Another Rod Tempterton tune.
Just Once- James Ingram. Perhaps the solo record that made James a household name. This record has it all: great vocals, a memorable lyric line and music that transcends genres. A brilliant recording.
Is It Love That We're Missing- Gloria Estefan. You can place Gloria in about any setting and she would shine. This one song is no exception, only making me wish that Mr. Jones would have produced an entire album by the beloved Cuban superstar.
1 comment:
To Quincy and his work with some of our favorite artists! JA
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