I have always loved EPCOT Center. Since my first visit in 1983, this was the park I thoroughly appreciated from the very first visit. Now, decades later, how would the current Walt Disney World leadership and Imagineer Zach Riddley's vision for my favorite Disney park compare? There was plenty new for us to see: Remy's Ratatouille Adventure in World Showcase, the Journey of Water Inspired by Moana, Guardians of the Galaxy: Cosmic Rewind, and the new Walt Disney statue in Future World (or World Nature, World Celebration or World whatever), and the nighttime show Luminous The Symphony of Us. Could anything ever top Illuminations?
Repeating what we learned from the day before in How to Beat Disney at Its Own Game, we took an early morning Uber to the Beach Resort. A nice stroll in the cool of the morning led us to the lakefront and past Stormalong Bay, the best Disney waterpark that is not a waterpark. At moments before 7:00am, we snagged a relatively early virtual queue confirmation and a ride with Star-Lord and Company. After a great breakfast straight from the market and nearby seating in the beautiful courtyard, we moved on to the International Gateway entrance to Epcot. Time to go in. It was an easy walk to the France pavilion.
Ratatouille happens to be my favorite Pixar film. So of course, Remy's adventure was the first must see of the day. The new attraction was only open to DVC members during our last visit. I wasn't happy, but I wasn't too bothered either. The Food & Wine Festival was waiting.
Aside from the more cartoonish take on Paris, there's plenty of design detail and nods to the movie to be found in the side street and very pretty courtyard that leads to the main attraction. I was not quite as offended as some have been with this design choice. I'm not sure I want this to be the norm going forward. This isn't Fantasyland- or is it? - so I just let my ears be filled with the beautiful soundtrack music and enjoyed the new sights and sounds.
It was not too long before we entered into the main building to begin the final few minutes of queueing. What did I think? It's all quite understated and charming. By the time we hit the evening (indoor) moonlight, I was just in the right frame of mind. There's no denying Disney Imagineering knows how to do nighttime right when it comes to dark rides. From Peter Pan's Flight to Pirates of the Caribbean's lovely Blue Bayou and Mexico's El Rio del Tiempo and later with Navi River Journey, they are experts in bringing the outdoors inside.
Straight up, Remy's Ratatouille Adventure is no E Ticket. It occupies the same space as many other projects from the more recent years of Imagineering for the Stateside parks: Frozen Ever After, Toy Story Mania, and Millennium Falcon: Smuggler's Run among others. They all fall just shy of greatness. Remy's is fun, kid-friendly, and different enough to be a draw. It will leave a smile on your face, but you will not be talking about it for more of your day. Would I ride it again? Of course! The film's a favorite and I can't resist a dark ride about Paris.
Since we'd had breakfast, we walked through the nations of World Showcase to reach Norway and Frozen Ever After. It was still fairly early, but with the new caste system in place, it took us almost an hour to encounter Elsa and the gang. An hour. Yes, it is a caste system- and Disney is making some bad, bad choices by perpetuating this. They've already priced out many average income Americans from enjoying an affordable Disney vacation. This is one more example of how Disney's talk of diversity, equity, inclusion is all just corporate BS aimed toward placating their employees. I solidly stand by that assessment.
I may be like you- Frozen Ever After is growing on me. Maybe I'm just getting used to this new Imagineering where "good enough" is the mantra of the current organization. There's still a long way to go to reach the high quality of the Frozen attraction in Tokyo Disneysea's Fantasy Springs expansion, but this Maelstrom takeover does have its charms. Namely Olaf and Sven.
Yum!
This isn't the Disney Food Blog (and I love what AJ and teams does), but I'm going to risk an argument with some of you long time readers: We found the food at the Flower & Garden Festival to be better than that found at Food and Wine. The flavors are lighter, brighter, and the dishes much more creative. The adult beverages blended summer fruit with just the right amount of alcohol. We made many, many stops at the various outdoor kitchens, sharing each dish and drink along the way. The Lobster tail was particularly good and a good bargain. The ribs and shrimp were just as good. My wife loved the offerings she found in Canada.
Our first day at this park, we did not make a reservation at one of the many terrific places to eat in World Showcase. The new Future World is still not the place to go for a good meal. (Check out our Dine or Ditch reviews of more than a few places at both Walt Disney World, Disneyland, or even Universal Orlando Resort.) Surprisingly, we didn't miss it at all aside from some indoor air-conditioning and table service.
The new garden area surrounding Spaceship Earth and the Walt statue was nice, but that is all it is. There's a good portion of shade to be found but sadly, absolutely no water features. I suppose this was a plan to make the Moana gardens walk through experience more attractive. I'll repeat myself here as I said earlier first looking at the concept art- It's a very pretty place and the concept and execution are great, but it is in the wrong park.
Community Hall, I mean Communicore Hall, was not open yet. From what I've seen, we did not miss much. It's pretty generic looking and the area as a whole reminds me of those bland corporate campuses I used to work at when we lived in Northern California back in the late 1980s. Certainly nothing special, and definitely nothing worthy of the great Epcot or Disney name.
It was finally time to see what replaced Universe of Energy.
I hate being wrong. Guardians of the Galaxy: Cosmic Rewind is the best coaster on the Disney property! I LOVE it! The big box is as ugly as Hell against the brilliantly designed original buildings, and I despise the fact that Marvel characters have invaded my park. But darn it- I just want to ride this again and again. And again.
Naturally, my wanna be Imagineer side realizes once the Marvel thing dies out, it will be an easy transition to something else- even if it was too many hundreds of millions of dollars to build. My tourist side says this was a winning choice. I was shocked just how much I enjoyed it. TRON over at the Magic Kingdom can't even come close. The ride is fast, smooth as silk, and swerving in the dark through the galaxies is so enjoyable, it makes me wish the ride were brought to California. If I could have purchased another ride, I would have. One day, I want to ride it on September 21.
Since we were almost there, we walked over to Spaceship Earth for a ride. Then we explored the original entrance area. The journey inside the sphere is still satisfying even if it needs an elegant update. Elegant, not trendy please. (When will they learn trendy doesn't work?) It's a classic for a reason, and it reminds Epcot visitors of what once was and what many hoped the new Epcot would be. Give it some respect.
The entrance area is just as it should be. Those OG Imagineers knew exactly what they were doing. Beautiful landscaping framing the icon just works. Too bad no one at Disney management seems to listen to them anymore.
We could not get into Space 220 and didn't want an hour and a half wait for a seat at the bar. Fair enough. This meant that Luminous was the only feature of "New Epcot" that we hadn't seen.
Test Track was down, and then the wait was so long, we decided to pass it up. (As of yesterday evening, it is closed for version 3.0) Heading back over to The Land side of things, all of a sudden, the park felt very old school. Living with the Land is still a family favorite we ride each trip. The educational aspect of the attraction blends with the entertainment value in a seamless way- and without a Disney or Pixar or Marvel character inserted. Yes, it can be done and done well when the suits want to. Sure Imagination remains a sad mess and Living Seas with Nemo hasn't aged well. Its new paint job was very nice and very needed. Soarin' was as enjoyable as always even if the wait was much too long for reasons stated above.
What was really left for us now was old Epcot- remnants of the days past- and we just loved it. Taking the time to walk and enjoy the surroundings was like breathing again. There was no rush for the next scheduled attraction time. Cruising on El Rio del Tiempo (I wish!) and exploring the shops of China. Additional stops at the outdoor kitchens and viewing the many special gardens. No scrambling to get across the park in fear of missing an afternoon lunch appointment. More time to stop and enjoy the live entertainment and explore each country around the World Showcase Lagoon. Such a relaxing day!
Our son was ready to indulge us with our desire for some old school theater attractions, so we began with an Epcot Center classic: The American Adventure. We had timed it poorly on our last two trips, thinking there was still one more showing. We would not make this mistake again.
With a large cast of full functioning Audio-Animatronics, excellent filmed segments, and stirring narration and music, this remains a not to be missed attraction. Our history is filled with events and decisions both good and evil, yet the multi-media attraction focuses on the spirit of Americans. It may be in vogue to slam our country, but once you've traveled the world and gotten to know other countries citizens at more than a passing hello, you soon discover we have it better here than just about anyone.
This was our first viewing of Canada Far and Wide. The theater was fairly empty, but the low key film was excellent. Sitting in the darker, cooled waiting area was a treat on a hot day. Just walking past the still working waterfall to reach it reminded me that these smaller even hidden attractions and cozy hidden spaces are all part of the park's charm. It's not all about big, expensive rides.
Our last theater show was Impressions de France. The film is feeling bit dated, but it is also timeless. The music is gorgeous! To say we love this attraction would not do it justice. We've been blessed to be in France on five different trips, and we wouldn't have it any other way.
At about an hour and 15 minutes before show time, I grabbed us a spot on the bridge between the U.K. and France. As the sun was setting, my absolute favorite section of the park took on the beautiful colors of dusk. Oranges, pinks, and purples filled the sky. The lights of each country started to come on. Pure magic! This spot ended up being a terrific place to watch Luminous.
We were all very big fans of Illuminations Reflections of Earth. In fact, it is the only nighttime Disney show in any park that we had to see each visit. The barges of Harmonius were hideous, and the show was mediocre at best. Thankfully, the suits responded wisely to fan outcry and gave it a quick death. Millions were wasted, but it was a good decision. So, what would we think of its replacement?
I'm absolutely sure it is actress Michelle Yeoh as the show's narrator. Her distinctive voice lends an air of sophistication to this outstanding event. And Luminous: The Symphony of Us is a park event not to be missed. While its predecessor had to hit guests over the head with its message, this newer production is very subtle, well designed and as beautiful to listen to as it is to watch. The Circle of Life story is touching, heart wrenching, and joyous. Visually, the opening sequence from the "hill" in the center of the lagoon brings the wow factor, proving again that those huge barge screens from Harmonious were not needed. When it all ended, I wished it were longer. That's how good this is! I hope it stays in the park for a decade or longer. Well done, Disney.
We left the park after the show and went through the International Gateway. It seemed everyone else did as well because the Skyliner queue was full. We were told the estimated wait was 1.5 hours. Yes, it was that long. Happily, we walked back to the Beach Club enjoying the cool of the evening. Our Uber ride home was brief and any line was happily avoided. This is the way to beat Disney at their game.
This day may have been the best one on our Disney portion of the trip. But we had two other parks to explore. Next up would be Disney's Hollywood Studios.
What can I say about "New Epcot"? Is it an unmitigated success? No. The huge core of the park's main entrance area beyond Spaceship Earth feels corporate and unimaginative, more akin to a large city's convention center than a Disney theme park. The new buildings are bland, cold, clean, and sterile. Lacking personality, this area is fresher, but ultimately it leaves a sad uninspired aftertaste as you wander through the area. The landscaping is the star but even this is primarily one note: green. The park's three new attractions are a mixed bag, ranging from wildly successful to pretty good to clearly misplaced. There's little cohesion of all these new elements. The theme of this park has been watered down so many times, I bet it is really difficult to advertise.
When Zach Riddley's team of Imagineers went back to what made the park great, it was a success. The entrance plaza has returned to its former self. The light show on Spaceship Earth really is stunning. I'm sure that budget allotments could have been adjusted to bring some well needed changes to the park's centerpiece and the beloved but now horrible Imagination pavilion. (Do first time park visitors of the last 20 years know this as anything but horrible? No.) The once inspiring ride is embarrassing at best. Tony Baxter must be angry about what they did to his incredible original show. A refreshing of Test Track is a great move, but that's on GM's dollar. Further more, World Showcase very much needed that Brazil pavilion. I love touring the countries, but it is time for someplace new to explore. Decades worth of time.
The 2024 D23 announcements may focus on additions to Animal Kingdom and the Magic Kingdom, but I hope they don't leave Epcot out of it all. There's so much potential! Aesthetics are one aspect of what makes a great park. Content is the other. But for now, the strengths of this park lie in its much ignored roots. Maybe one day, someone with the love of Epcot - like Riddley but with the power of a Robert Iger- will come along and give it the love and respect it deserves.
(Photographs copyright Mark Taft.)
