The attention to detail and bringing in the flavor of New Orleans is evident. This seems like the part the Imagineers worked hardest on, but they missed or forgot about the most important ingredient of any great attraction: The story. It's just not compelling. It's one note played out over 9 minutes. There's no drama, no tension, no sizzle. Princess and the Frog was a very good movie. Here, it seems they tossed out what made it so and instead replaced it with something bland and rather forgettable. Even Tiana herself can't rise above it. Thankfully, the physical ride is built on the backbone of Splash. The story just doesn't excite. There's really no adventure here in spite of the name.
Many of the Audio-Animatronics in Tiana's Bayou Adventure are excellent. Truly top notch. The way Tiana and Louis move is on par with those found in other recent Imagineering accomplishments. They are remarkable in fluidity and believability. Very well done. They are just not given much to do other than talk to those passing by on a log.
On the other hand, the lesser known (newer) characters seem flat and lifeless. The animal band- which is a key part of the story- feels like it's right out of Chuck E. Cheese. The eyes are key here, and this is a fail. How can you fall in love with the characters if they don't feel real? Eye movement conveys personality. I can't imagine much animal band plush or merchandise being sold.
The setting of the story is fantastic. It is truly beautiful. The darkened landscapes with Spanish moss hanging from the trees makes you forget this was once another place and story. Seemingly endless fireflies buzz about creating a quite moody, unexpectedly romantic environment. I'm mixed on the exterior. Perhaps placed by New Orleans Square at Disneyland it will feel like a better fit than it does in the Magic Kingdom.
Mama Odie is just not a likable character, and to make matters worse, she's a stereotype. Why is she central to this attraction? Her annoying and overplayed (overacted?) cackle reminds me way too much of the old hag in Snow White. Yet, Imagineering elevates her to multiple appearances as if she is the star of the show. She's not- and she shouldn't be- but at least she is actually doing something.
This is more than I can say about our lead character. Doesn't Tiana have something to do besides finding a band? I wish she also worked in the kitchen next to her employees cooking some delicious dishes for the party. Perhaps she's become like too many modern bosses who doesn't work themselves but only stand on the sidelines giving orders. Tiana looks great and sings as sweetly as ever, but she needs to be more than a narrator.
The music shines. Each segment hits the right notes, pun intended. The grand finale, Secret Spice, just works. It's an unexpected ear worm but a totally different and appropriate song for this new ride. Zip A Dee Doo Dah is iconic, so the replacement had to be as good if not better. Secret Spice isn't quite as good, but it is different. Think Kool & the Gang's well loved Celebration done New Orleans Jazz style. Former Maroon5 player PJ Morton had a tough act to follow. But his tune works well. Riders are just not in the finale scene long enough to get the full impact of his creation. This is too bad as the Mardi Gras party is the highlight of the whole thing.
Will Tiana's new adventure satisfy those who loved Tony Baxter's iconic attraction? No. And Tony was wise to back out. Taken on its own, Tiana's Bayou Adventure is fun if imperfect. Years from now, will it be remembered as a classic in the same league as Pirates of the Caribbean or the Haunted Mansion. Absolutely not.
(Photograph copyright The Walt Disney Company.)
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