Showing posts with label radio. Show all posts
Showing posts with label radio. Show all posts

July 20, 2024

Karen Carpenter On the Radio

On a perfect drive to the beach, I'd be cruising in my convertible down Pacific Coast Highway with the radio blasting the Top 40 songs from 93 KHJ Los Angeles. What were your summer songs? Those days are long ago, but it doesn't mean you can't have your own Summer playlist to bring those memories back. Of course, for me, it's yesterday once more when the songs of Richard and Karen Carpenter are on. Sure, the duo's known for their beautiful melancholy songs which play magnificently against her rich voice. BUT don't let the great documentary Karen Carpenter Starving for Perfection by Randy Schmidt make you think it was all doom and gloom. The Carpenters had plenty of great tunes that were happy, upbeat, and playful. Here's a few of my 2024 Summer Playlist songs, those Golden Oldies that make me smile (in no particular order):

There's a Kind of Hush (All Over the World)- A guilty favorite of mine. You probably know the record. It's the ending layered vocals that pull me in and make me think "Is there nothing this woman couldn't sing?"

Kiss Me The Way You Did Last Night- Originally recorded for their 1981 comeback album Made in America. Much better than anything released on that disc, Kiss Me is fresh and romantic. It's hard to be immune to the recording's charms. Karen absolutely coos each lyric, and the music sounds contemporary with Richard giving it the arrangement it deserves. Perfect late night radio! The record finally made it to 1989's Lovelines disc... but sadly, so few people have heard it.

Love is Surrender- From the Close to You mega selling album. The duo's new to the ear of the public. You can tell they are having fun only just beginning their career. Carefree, heartfelt, and snappy.

Only Yesterday- The biggest hit single from 1975's Horizon album. They made it easy to think anyone could do what they were doing, but the truth is, no one could. From Karen's basement notes to Richard's complex sophisticated arrangements, this is one record that will never be remade by anyone else.


Boat to Sail- The first of three boat songs. "Yacht Rock" before it was a thing. This is my favorite song by the duo. I know, it's not dark, famous, or incredibly deep. But it is irresistible. Karen sounds right there next to you as the spray of the water hits your suntanned face. Richard's banging on the keyboard on the beach but playing with such abandon and freedom. It's one of a kind. They never recorded another song like it. 

All You Get From Love is a Love Song- This was the one duo's record that deserved to be a hit-- a big one. It's sassy, it swings, it has a great beat, and like most of these on my list, it is a blast to sing along with! Unfortunately by 1977, the Carpenters were long past their mega hit making days. But I'd say they were making interesting records that were creative and even adventurous. The Passage album was a tough sell in the USA, but overseas, it has legions of fans tuning into Calling Occupants of Interplanetary Craft. 

Sailing on the Tide- Released in 1983 after Karen's untimely death. "Leaving at dawn, after I'm gone, life will go on. Someone's gotta take my place running in the human race"- yes, those words take on a particular painful reality for the fan listening, but this Tony Peluso written song (the guitarist who made Goodbye to Love controversial) but the fun factor is pretty high. Makes for a nice break on the very melancholy Voice of the Heart album.

Top of the World-  The first of two country tunes on the list. All our favorite Friends loved this one, and so do I. (Man, I miss Matthew Perry and his comedic timing...)

Sweet Sweet Smile- Fiddle and banjo on a Carpenters record? A Juice Newton composition that's just too snappy, happy, and with a whole lot of twang. Karen's having a blast singing it and it shows. 

Prime Time Love- Richard's background vocals are perfectly done on this record. Of course, Karen sounds great- she always does- but her brother brings just the right touch to this upbeat number. 

Bacharach Medley- The 1971 "Tan" album was a monster- Rainy Days and Mondays, For All We Know, and Superstar are on it. This medley is a bright spot among the slower ballads. Even at 5 minutes in length, I'm left wanting more. Few folks wrote as many great songs as the late Burt Bacharach.

Our Day Will Come- This classic Ruby & the Romantics record is the one I am currently playing more than any other Carpenters record. If you thought the original was great, this version will slay you. It is the ultimate 50s/60s cover song done by our siblings who loved and respected the songs of the day. Find the fan made extended mix on YouTube. (It can be found here.)

Please Mr. Postman- STOP! This is another oldie and their last Number One single. You can slam it, turn off the radio when it comes on, or you can rock out to it and enjoy every bit of saxophone and guitar that gives it energy. 

Make yourself a list and cruise down the highway while the Summer nights are so much fun. You'll feel like a kid again!


July 1, 2024

Charlie Puth to the Rescue

Charlie Puth delivered something I did not expect. I was in a drought of sorts. Nothing sounded good to me. It's not too often I experience a season like that when music doesn't appeal to me and everything sounds a bit tired, flat and uninspired. And then something changed. Browsing around, I found a jazz version of Done for Me. I liked the original a lot, so I gave it a listen. It was so fresh, so unexpected, so fun. And like that in an instant, everything began to sound good again. Now, Charlie, how about a whole album of jazz?

(Photograph from Entertainment Weekly.)

May 18, 2024

Karen on My Radio

A very rare photo of Karen Carpenter. From the 1981 photo sessions for her last album while she was alive, Made in America. She and brother Richard made some amazing albums, and they play a large part of the soundtrack of my years growing up in Southern California. 

I long wanted to be a Disney Imagineer, designing all those world famous attractions for Disneyland. And it was the music of Carpenters more than any other artist that kept me glued to Top 40 radio like L.A.'s famous KHJ. 

The duo's popularity waned in the late 70s, and mine took a brief dip as I got busy becoming an adult. But I never forgot Karen's incredible voice and listened to the duo almost daily.

Driving along Pacific Coast Highway or on the way to Disneyland, hits by she and Richard proudly came out of my speakers along with Earth, Wind & Fire, old Motown, and much, much more. Check out the series below, and you'll understand why.

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Below is a continuing series on the albums of Karen and Richard Carpenter. There are so many stand alone posts highlighting different aspects of their career, recordings, rare photographs, and life that I've lost count. 

Below is the list of my "Revisited /Fresh Look" reviews, and then a List of reviews done a decade earlier. Each with different and rare photos, album charts, and a perspective on their lives and their career.

My Initial Reviews of the albums:

May 23, 2008

Carpenters: First Offering, Along for the Ride

I've been thinking lately it would be fun to take a fresh look at the musical output of the Carpenters disc by disc. Because the music of Karen and Richard has been woven into so much of my younger life, I will simultaneously share some personal stories as I go. The reminiscing has been pretty fun, sometimes not, and has even resulted in new insights. Here's hoping you enjoy what is ahead as I review each album.

Early fall of 1970 was the turning point. Living in Southern California, close to the beach and to Disneyland. Still two of my favorite places. Music was always on somewhere, as my parents were teenagers themselves when I was born- and they loved rock and roll. Growing up on rock, pop, and Motown, (which became my favorite after spending summers with my aunts who loved the Supremes and the Temptations), did not prepare me for what was about to happen.

There I was, just sitting on the bus waiting to take off, and this voice came out of the radio, catching my ear and grabbing my heart. It was very soulful in a whole new way than I was used to recognizing. Suddenly, that was all I could hear. What was that song, but more importantly, who was that singing?

As I quickly discovered, the answers were "We've Only Just Begun" and Karen Carpenter of the Carpenters. Fortunately, I lived three blocks from the local record shop, so off I went. The album was mine- and it stayed on my turntable week after week. Months later, while browsing patiently through the store bins, I discovered an earlier recording and heard a whole new Karen and Richard. Surprisingly different.


New and improved cover.

It has often been said this was the record Richard had to make. After more than thirty years of hearing it, I am not sure why. Clearly a product of the times and definitely not a bad record, Ticket to Ride, however, does not draw me in or capture my attention. Nor does it compare favorably to anything that came afterwards. Maybe it is the inherent contradictions that create a sense of lacking. Raw yet polished, contemporary yet old fashioned, biting yet sentimental. The change in title and in cover art, due to the success of the single Close to You, plays with these differences. Offering is fully 60s in presentation, while Ticket feels fresh.

As far as the songs themselves, it is a mixed bag. Covering the Beatles is always risky, but Richard's slow burn arrangement of Ticket to Ride passes the test because of the dramatic new arrangement and a female lead singer. Karen and Richard's love for choral music finds an expression in the songs Invocation and Benediction, providing a touch of class, but some would say stuffiness, to the album. Their jazz combo roots come to light with All I Can Do. Bookending this album and including styles of music began a trend that would continue in later albums and in various ways.

Sailing on the Tide

As songwriters, the original Carpenter/Bettis tunes represent some of the best and worst of their catalogue: All of My Life, in particular, and Someday give the listener a taste of what Karen and Richard (and John) can do, while Eve is forgettable, stung with unfortunate lyrics and an arrangement that seems to drag.
The final result is a product that embraces the contradiction: the album is extremely ambitious but fairly ordinary.


Photo outtakes from the original sessions.

As time passed, bit by bit, I unknowingly became quite a collector of Carpenters' music, newspaper articles, and photographs. Two important items have eluded my collection: the original Offering album, and the holy grail of Carpenters fans, the Karen Carpenter Magic Lamp single. Maybe one day, I'll find them- at a price I can afford.

As you can see, Ticket wasn't a record I loved, and even now, I seldom play it. But that was ok. My initiation was the Close to You album, and that would be the standard I measured their other albums against. Karen and Richard were young, growing artists, and the best was yet to come. I couldn't wait.
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2021 Note: This is part of a continuing series of posts on the albums of Karen and Richard Carpenter. There are also numerous stand alone posts highlights different aspects of their career, recordings, and life. 

Below is the list of my initial reviews and then my "Revisited /Fresh Look" reviews a decade later. 

--------------------------------
This is part of a continuing series on the albums of Karen and Richard Carpenter. There are so many stand alone posts highlighting different aspects of their career, recordings, rare photographs, and life that I've lost count. 

Below is the list of my "Revisited /Fresh Look" reviews and then my initial ones a decade earlier. Each have different photos and clippings.