Showing posts with label diana ross. Show all posts
Showing posts with label diana ross. Show all posts

December 16, 2022

What A Find! The Supremes Sing Holland/Dozier/Holland

Who doesn't love Motown and the classic songs of the 1960's? For many families growing up in that era, Motown was the party sound for every kind of gathering. Founder Berry Gordy put together an astonishing collection of artists and surrounded them with an equally impressive roster of songwriters and musicians. Long before Michael Jackson and the Jackson5, artists from Smokey Robinson to Steve Wonder to The Temptations and the Four Tops, the men of the company created instant classics like Tracks of My Tears, My Girl, and my favorite, Signed, Sealed, Delivered.

The women were no less impressive! Mary Wells' My Guy was a smash, and I just loved the songs by Tammi Terrell and Marvin Gaye. Ain't No Mountain High Enough, Ain't Nothing Like the Real Thing, and You're All I Need to Get By were iconic and recorded by many other artists for decades.  (Want to read my favorite Motown remakes, look here.)

All said, it was easily The Supremes, led by Diana Ross, that I heard most often. My aunts played them non-stop, and it seemed I grew to know every word to every song. The ones written by brothers Brian and Eddie Holland with Lamont Dozier were the catchiest of the bunch to be sure.

So, you can imagine my surprise when I found this old album for a dirt cheap price (less than $10). And one in pristine condition no less! Merry Christmas to me!

March 15, 2017

Whitney at Her Best

Whitney Houston in her heyday. The still amazing soundtrack to The Bodyguard may not be a full ten selection set, but it represents the incredible vocalist in her finest moments. From the iconic I Will Always Love You to the finest ballad she ever recorded, I Have Nothing, Whitney shows pure star power and why, at her zenith, no one could stop her. The hit film with Kevin Costner once proposed for Diana Ross and Ryan O'Neal. Imagine how different the soundtrack would have sounded.


If you think in her early days that Whitney's vocals were a trick of the studio magicians, think again- and watch the video below.

December 3, 2015

Re-Introducing The Wiz' Elijah Kelley

Prediction time for The Wiz: Although the entire cast is extremely talented, and I totally love the jazz tinged albums by Queen Latifah, let me say here and now that the breakout star will be Elijah Kelley as the Scarecrow.  It's been a long battle, though.

Who can forget his unbelievable performance in the hilarious film Hairspray? Unfortunately most people seemed to be stuck on John Travolta's drag queen performance, Nikki  Blonsky's debut, or Michelle Pfeiffer's icy beauty queen, but it was Elijah who deserved to be noticed. 

Michael or Elijah? Or both?
If anyone can take on the iconic role by Michael Jackson and give it a different but powerful spin, Elijah can. Watch tonight's show and then come back and watch the video. I think you'll be impressed. Just ease on down the road. 

January 29, 2014

Musical Meringues: Crystal Gayle, Donny & Marie, Diana Ross

Fluffy, light, delicious, and impossible to partake just one. Everyone once in awhile, you just have to indulge! On my i-pod this week, a few bites of musical sugar went down so smoothly while I ran on the treadmill. Just to review a few:


Crystal Gayle, "Cry"- The country songstress sister of Loretta Lynn first hit the pop charts big with "Don't It Make My Brown Eyes Blue". It only gave the slightest hint to what she could do, but it did win her many pop fans who would not have found her on country radio. I didn't buy every release, but when I did, I was rarely disappointed. Her stinging ballad "Cry" had it all- diva vocals pulled off effortlessly, a piercing arrangement, and very personalized lyrics by Keith Stegall and Dan Hill. So much fun!


Donny & Marie, "Deep Purple"- In the 70's, it was a pretty common pattern for the duo of Donny and Marie Osmond to record remakes of 60's pop songs. Taking on a popular recording of Nino Tempo and April Stevens, their rendition is faithful to the original and totally irresistible. Pop perfection.


Diana Ross, "The Boss" - Although this 1979 release was followed up by the better selling Nile Rogers' production, I've always found this title single much more fun than "Upside Down" and the singles from the latter disc. Diana is a modern legend, part of one of the most powerful girl groups ever.  When she moved on, she then assured her place in music history by an almost equally successful solo career. 

With pop fun such as this, my hour on the treadmill went by quickly. I had so much fun sharing about these ones, I'll just have to share some more musical meringues in future posts.

January 12, 2009

Motown at 50: An American Musical Institution

Today, 50 years ago, one of the greatest musical labels ever was born. In so many ways, Motown has no peer. It's story is fascinating, and it is ongoing. And the tale continues far beyond the race and heritage perspective. The legends endure, and the artists and musicians associated with it have a right to be justifiably proud of their acheivements.

Instead of rehashing the story, go here to the source: Motown's official site. As for this blog, I'll let the numbers prove my point.

The Supremes: Twelve Number One Songs
Classics Hits include You Can't Hurry Love; Someday We'll Be Together; Where Did Our Love Go; Stop! In the Name of Love


Diana Ross: Six Number One Songs
Classic Hits include Ain't No Mountain High Enough; Love Hangover; Theme from "Mahogany"
Odds and Ends: "The Bodyguard" movie was originally planned for Diana Ross and Ryan O'Neil.

The Temptations: Four Number One Songs
Classic Hits include My Girl; Just My Imagination; Papa Was a Rolling Stone; The Way You Do the Things You Do
Odds and Ends: The classic Frank Sinatra hit "Night and Day" is one of the Temptations best love songs. Much better than the original.

Stevie Wonder: Nine Number One Hits
Classic Hits include Superstition; Sir Duke;You are the Sunshine of My Life; I Wish; My Cherie Amour; Signed, Sealed, Delivered
Odds and Ends: Prime album cuts- "Knocks Me Off My Feet". Best remake of his song: Peter Frampton, covering "Signed Sealed Delivered"

The Miracles (and Smokey Robinson): Two Number One Hits
Classic Hits include Shop Around; Tracks of My Tears; I Second That Emotion; Tears of a Clown; Ooo Baby Baby
Odds and Ends: Best Overlooked album- "Smoke Signals"; prolific songwriter

Four Tops: Two Number One Hits
Classic Hits include I Can't Help Myself (Sugar Pie Honey Bunch);Bernadette; Reach Out (I'll BeThere); It's the Same Old Song; Standing in the Shadows of Love

Gladys Knight and the Pips: One Number One Hit
Classic Hits include Neither One of Us; I Heard It Through the Grapevine; If I Were Your Woman; If Loving You is Wrong

Commodores: Two Number One Hits
Classic Hits include Brick House; Three Times a Lady; Still

Lionel Ritchie: Five Number One Hits
Classic Hits include Truly; All Night Long; Hello

Jackson5: Four Number One Hits
Classic Hits include Never Can Say Goodbye; I'll Be There; ABC; I Want You Back
Marvin Gaye: Three Number One Hits
Classic Hits include I Heard It Through the Grapevine; Let's Get It On; How Sweet It Is to be Loved By You; What's Going On; Mercy Mercy Me (The Ecology)

Various Artists and Songs You Know By Heart: Mary Wells (My Guy); Martha Reeves and the Vandellas (Dancing in the Streets, Jimmy Mack, Heatwave); Rare Earth (I Just Want to Celebrate); Contours (Do You Love Me?); Marvelettes (Please Mr. Postman, Beechwood 4-5789); Boyz II Men (The End of the Road); Rick James (Superfreak), Edwin Starr (War); Jimmy Ruffin (What Becomes of the Broken Hearted); etc. etc. etc.


Thank you, Berry Gordy, for creating an American institution! Case closed.

May 23, 2008

Carpenters: First Offering, Along for the Ride

I've been thinking lately it would be fun to take a fresh look at the musical output of the Carpenters disc by disc. Because the music of Karen and Richard has been woven into so much of my younger life, I will simultaneously share some personal stories as I go. The reminiscing has been pretty fun, sometimes not, and has even resulted in new insights. Here's hoping you enjoy what is ahead as I review each album.

Early fall of 1970 was the turning point. Living in Southern California, close to the beach and to Disneyland. Still two of my favorite places. Music was always on somewhere, as my parents were teenagers themselves when I was born- and they loved rock and roll. Growing up on rock, pop, and Motown, (which became my favorite after spending summers with my aunts who loved the Supremes and the Temptations), did not prepare me for what was about to happen.

There I was, just sitting on the bus waiting to take off, and this voice came out of the radio, catching my ear and grabbing my heart. It was very soulful in a whole new way than I was used to recognizing. Suddenly, that was all I could hear. What was that song, but more importantly, who was that singing?

As I quickly discovered, the answers were "We've Only Just Begun" and Karen Carpenter of the Carpenters. Fortunately, I lived three blocks from the local record shop, so off I went. The album was mine- and it stayed on my turntable week after week. Months later, while browsing patiently through the store bins, I discovered an earlier recording and heard a whole new Karen and Richard. Surprisingly different.


New and improved cover.

It has often been said this was the record Richard had to make. After more than thirty years of hearing it, I am not sure why. Clearly a product of the times and definitely not a bad record, Ticket to Ride, however, does not draw me in or capture my attention. Nor does it compare favorably to anything that came afterwards. Maybe it is the inherent contradictions that create a sense of lacking. Raw yet polished, contemporary yet old fashioned, biting yet sentimental. The change in title and in cover art, due to the success of the single Close to You, plays with these differences. Offering is fully 60s in presentation, while Ticket feels fresh.

As far as the songs themselves, it is a mixed bag. Covering the Beatles is always risky, but Richard's slow burn arrangement of Ticket to Ride passes the test because of the dramatic new arrangement and a female lead singer. Karen and Richard's love for choral music finds an expression in the songs Invocation and Benediction, providing a touch of class, but some would say stuffiness, to the album. Their jazz combo roots come to light with All I Can Do. Bookending this album and including styles of music began a trend that would continue in later albums and in various ways.

Sailing on the Tide

As songwriters, the original Carpenter/Bettis tunes represent some of the best and worst of their catalogue: All of My Life, in particular, and Someday give the listener a taste of what Karen and Richard (and John) can do, while Eve is forgettable, stung with unfortunate lyrics and an arrangement that seems to drag.
The final result is a product that embraces the contradiction: the album is extremely ambitious but fairly ordinary.


Photo outtakes from the original sessions.

As time passed, bit by bit, I unknowingly became quite a collector of Carpenters' music, newspaper articles, and photographs. Two important items have eluded my collection: the original Offering album, and the holy grail of Carpenters fans, the Karen Carpenter Magic Lamp single. Maybe one day, I'll find them- at a price I can afford.

As you can see, Ticket wasn't a record I loved, and even now, I seldom play it. But that was ok. My initiation was the Close to You album, and that would be the standard I measured their other albums against. Karen and Richard were young, growing artists, and the best was yet to come. I couldn't wait.
-----
2021 Note: This is part of a continuing series of posts on the albums of Karen and Richard Carpenter. There are also numerous stand alone posts highlights different aspects of their career, recordings, and life. 

Below is the list of my initial reviews and then my "Revisited /Fresh Look" reviews a decade later. 

--------------------------------
This is part of a continuing series on the albums of Karen and Richard Carpenter. There are so many stand alone posts highlighting different aspects of their career, recordings, rare photographs, and life that I've lost count. 

Below is the list of my "Revisited /Fresh Look" reviews and then my initial ones a decade earlier. Each have different photos and clippings.